WORKS

LIST OF WORKS

Daydreams, 1972, film, 16mm, colour and b/w, 8’
One of These Days, 1974, film, 16mm, colour, sound, 30’
De Doos: Een film voor Pandora / The Box: A Film for Pandora, 1974, film, 16mm, colour, sound, 15’
Overbruggen / About Bridges, 1975, film, 16mm, colour, sound, 22’
What’s It to You?, 1975, 3 channels video installation and mini recording video studio
Moving, 1975, single channel video, b/w, sound, 30’
Journeys, 1976, 3 channels video installation
The Road, 1976, 2 channels video installation
Just Like That, 1977, single channel / 2 monitors video installation
Portret van een straat / Portrait of A Street, 1977, film, 16mm, colour, sound, 24’
Generations, 1977, single channel video, N.T.S.C., colour, sound, 22’
Horizontal Flow I, 1977, 2 channels / 5 monitors video installation and Horizontal
Flow II, single channel video version, b/w, sound, 15’
Memory Window I, 1977, 3 channels and a closed circuit video installation and
Memory Window II, single channel video version, b/w, sound, 30’
Continuing Lines I, 1978, 3 monitor single channel video installation and
Continuing Lines II, single channel video version, b/w, sound, 15’
Labyrinth of Lines I, 1978, 2 channels / 12 monitors and closed circuit video installation and
Labyrinth of Lines II, single channel video version
(In Retrospect compilation version: b/w, sound, 5’) and Labyrinth of Lines III, b/w, sound, 15’
Moving Lines, 1978, single channel video installation
Sea of Light, 1978, single channel / 3 monitors video installation
See Through Lines, 1978, single channel video installation
Videoveranderingen / Video Changes, 1978, single channel / 3 monitors video installation
Videovijver / Video Pond, 1978, 4 monitors closed circuit video installation
Audeo Video I, 1979, 3 monitor single channel video installation and
Audeo Video II, single channel video version (In Retrospect compilation version: b/w, sound, 10’. Also: b/w, sound, 20’ version)
Running Time I, 1979, single channel / 3 monitors video installation and
Running Time II, single channel video version, b/w, sound, 6’
Split Seconds I, 1979, single channel / 2 monitors video installation and
Split Seconds II, single channel video version, b/w, sound, 10’
Tidal Flow I, 1979, single channel video installation, b/w, sound, 12’ and
Tidal Flow II, single channel video installation (In Retrospect compilation version: b/w, sound, 6’)
Transitions, 1979, single channel / 4 monitors video installation
Transposed Environment, 1979, audio work in stereo on compact cassette with 7 b/w photographs 5x7 inches in cardboard box.
Made for the January 1980 number of the bimonthly magazine ‘Cres’
Eye Level, 1980, short duration single channel video and single channel film installation / performance
Finding Directions, 1980, audio installation
Sand Environment, 1980, short duration audio installation
Time Piece, 1980, single channel video installation
Video Void I, 1980, short duration 2 channels / 4 monitors closed circuit video installation and
Video Void II, single channel video version, b/w, sound, 20’
Void, 1980, short duration single channel / monitors and closed circuit video installation
2 Sides of a Story I, 1981, 2 tapes, multiple channel video installation / closed circuit and
2 Sides of a Story II, single channel version, colour, sound, 15’
A Piece for the 4 Winds, 1981, installation of short duration
Cutting Piece, 1981, 2 channel, site-specific video installation
Continuing Story, 1982, multi channel video and film installation / performance
Flying Time I, 1982, 2 channels / 2 monitors video installation and
Flying Time II, single channel video version, colour, sound, 8’
Magnetic North, 1982, 2 channels / 3 monitor and closed circuit video installation / performance
Video Performance, 1982, video performance
Wind Direction site n°6, 1982, short duration closed circuit installation
Wind Direction site n°7, 1982, short duration closed circuit installation
Wind Direction site n°8, 1982, short duration closed circuit installation
Wind Sound, site n°9, 1982, short duration closed circuit installation
Outside / Inside, 1982/2003, 3 channel / 4 monitors and a closed circuit video installation
Detour, 1983, audio installation
Following Directions, 1983, audio video installation of short duration
Out of Reach I, 1983, 2 channel video installation and
Out of Reach II, single channel video version and
Out of Reach III, audio installation, colour, sound, 15’
Vi Deo, 1983, 3 channels / 11 monitors video installation
Weervoorspellingen / Weather Forecasts, 1983, audio work for the radio
Wind Installation, 1983, 4 channels / 4 monitors, a closed circuit video installation and TV set transmitting teletext
Compass, 1984, 5 channel video installation with closed circuit
Song of the Stones, 1984, audio sculpture
The Force Behind its Movement, 1984, single channel video installation, colour, sound, 18’
Shadows I, II, III, IV, 1984, photo works
Work dedicated in the Memory of Josine van Droffelaar, 1984, photo collage
… From the Museum of Memory I, 1985, audio and single channel video installation
Stein und Wasser / Stone and Water, including Song for a Stone, 1985, mixed media installation
Video Volente, 1985, single channel video, colour, sound, 28’
Shadow Pictures…from the Museum of Memory II, 1986, 2 channels video installation
Point of Orientation…from the Museum of Memory III, 1986, 2 channels audio video installation and
Point of Orientation, single channel video version, colour, sound, 15’
From the museum of Memory IV, 1986, 2 channels / 2 monitors audio video installation
World Wide Video Sculpture, 1986, multi-authors audio work
Bamboe / Bamboo, 1987, photo work
Boat Piece…from the Museum of Memory VI, 1987,
single channel / 2 monitor video installation combined with an audio installation and a colour slide
Dialoog / Dialogue, 1987, single channel video work, colour, sound, 15’
Four Directions, 1987, audio photo work
Horizon, 1987, audio photo work
Phosphor…from the Museum of Memory V, 1987, single channel video installation
Point in Time, 1987, single channel video work, colour, sound, 12’
Shadow, 1987, photo work
365 Zeit-an-Sagen / 365 Time and Talk, 1987, multi-authors audio work
Landscape, 1987, video sculpture
A Personal Observatory, 1988, video sculpture
Compass 4 Studies, 1988, video sculpture
From the Museum of Memory VII, 1988, single channel video installation
Sound box, 1988, audio sculpture
Point in Time I, 1988, audio video installation
Radiant, 1988, single channel video sculpture
Stone TV, 1988, sculpture
Although the Stars Influence Things They do not Determine Them, 1989, colour transparency, projection
Circuit, 1989, audio photo work
Raido, 1989, radiographic print, acrylic paint on paper
Receiver, 1989, sculpture
Observatory I, II, III, IV, 1989, videotape, colour transparency
Solstice, 1989, single channel video, colour, sound, 15’
Stone TV – Broken TV, 1989, site-specific two part sculpture
Offerings, 1990, single channel video sculpture
Point of Reference I, 1990, 3 channels audio video installation and
Point of Reference II, single channel video version, colour, sound, 13’
True North, 1991–1992, video sculpture
Aerial…from the Personal Observatory, 1991, Perspex, photo, copper
Echo… from the Personal Observatory, 1991, single channel video sculpture
Intermittent Signals, 1991, 3 channel video installation
Liquid Crystal, 1991, video sculpture
Out of Reach…from the Personal Observatory, 1991, single channel video and mixed media installation
Personal Observatory II, 1991, mixed media installation
Twin Stars, 1991, photographic diptych
Spirit Houses, 1992–1999, commissioned public artworks
A Living Tree in the Archive, 1992, mixed media installation
In the Eye of the Storm, 1992, single channel video, colour, sound, 16’
Hearing Voices, 1993, audio sculpture / installation
Radar, 1993, photo work
The Bird is White the White is not a bird II, 1993, audio work with drawing
Personal Observatory III, 1993, light box
The Bird Moves within the Flock the Flock Moves within the Bird I, II, III, IV, computer prints on magnetic foil
Stars, 1993, photo works
Verdwijnpunt / Vanishing Point, 1993, photo work in Perspex tubes
The Bird is White the White is not a Bird, 1993, computer print on magnetic foil
Vanishing Point, 1993, single channel video, colour, sound, 20’
Do You See What I See?, 1994, single channel video, colour, sound, 26’
Hearing Voices II, 1994, audio sculpture
Summer Solstice, 1994, single channel video, colour, sound, 60’
Table of Orientation, 1994, interactive video sculpture
The Bird is White, 1994, performance
Watchman, 1994, video sculpture
Abri / Shelter, 1995, commissioned public sculpture
Points of Orientation, 1995, mixed media sculptures
Re:search, 1995, interactive video installation
Turning Point, 1995, interactive video installation
V, 1995, audio video installation
Time Machine, 1996, three parts site-specific installation
As Far as Japan, 1996, audio video sculpture
Insight?, 1997–1998, 4 light boxes with Cibachromes / Transparencies
Inside a Portrait, 1997, audio video installation
On Either Side of the Meridian, 1997, single channel video, colour, sound, 15’
EM_Onnudottir_EA_Ellyardottir, 1998, photographic diptych
Person to Person, 1998, CD-Rom and publication
Re:vision, Towards a Field Free Space, 1998, 3 channel audio video installation
Orientation Point, 1998, commissioned public sculpture
Het Gebaar / The Gesture, 1998, commissioned public sculpture
Table of Re-orientation, 1998, interactive sculpture
Re:location, 1999, single channel video, colour, sound, 16’
Day For Night, 2000, 16 monitors video sculpture
Field Free Space, 2000, commissioned public sculpture
Day For Night I, 2001, single channel audiovisual installation
Day for Night II, 2001, ink jet prints and audio video installation
Strandstoel / Beach Chair, 2001, commissioned public sculpture
Viewfinder, 2002, single channel video installation
Wishing Tree, 2002, website design for internet project
Day for Night III, 2003, single channel video installation
Deep Looking, 2003, single channel video, colour, sound, 30’
Wind wordt licht / Wind becomes Light, 2003, commissioned public sculpture
Day for Night IV (2004), single channel video installation
Water wordt licht / Water becomes Light, 2005, commissioned public sculpture
Lichtlijn / Line of Light, 2005, commissioned public sculpture
Re:vision, 2005, single channel video, colour, sound, 30’
Madelon’s Sundog Dance (Hooykaas with Sandra Semchuk), 2005–2007, single channel video, colour, sound, 6’
After Image / After Language I, 2006, Stansfield/Hooykaas and Chantal duPont, site-specific audio video installation
After Image / After Language II, 2006, sculpture and audio/video installation
Winter Solstice, 2006, video projection on storefront
Haiku, The Art of the Present Moment, 2007, single channel video, colour, sound, 30’
Haiku, The Art of the Present Moment, 2007, 2 channel audio/video installation (version I: large sculpture in the form of a book)
Haiku, The Art of the Present Moment, 2007, 2 channel audio/video installation (version II: large scroll)
Zazen Now (Hooykaas), 2009, single channel video, colour, sound, 30’
The Path (Hooykaas), 2010, single channel video, colour, sound, 30’

COMMISSIONED WORKS

2010
‘The Path’ (Hooykaas), video production, 30’, Dutch and English version, Buddhist Broadcasting Foundation, NL

2009
‘Zazen Now’ (Hooykaas), video production, 30’, Dutch and English version, Buddhist Broadcasting Foundation, NL

‘Spiral’ (Hooykaas), light object/stage set for modern dance group Leine Roebana, Amsterdam, touring in The Netherlands

2007
‘Haiku, the Art of the Present Moment’, video production, 30’, Dutch and English version, Buddhist Broadcasting Foundation, NL

2006
‘Winter Solstice’, video projection, 6’48’’, City of Gouda / SKOR, Oosthaven, Gouda, NL
‘De Kunst van het wandelen’, audio work ‘Listening in the Middle Point’, CD, 14’, Elfbergenpad/CBK Gelderland, Arnhem, NL

2005
‘Lichtlijn’, interactive light art work, Cultural Centrum ’t Spectrum, Schijndel, NL
‘Re:vision’, video production, 30’, Dutch and English version, Buddhist Broadcasting Foundation, NL

2004
‘Wind wordt licht’ (Wind becomes Light), interactive light art work, Ministry OCW/Rijksbouwmeester, Hoftoren, The Hague, NL
‘Water wordt licht’ (Water becomes Light), interactive light art work, Hydron Pump Station, Eemdijk, Utrecht, NL

2003
‘Deep Looking’, video production, 30’, Dutch and English version, Buddhist Broadcasting Foundation, NL

2002
‘Field Free Space’, sculpture D.L.G. Groningen, Foundation Semslinie Art Line, Nieuwe Weerdinge, Emmen, NL

2001
‘Wishing Tree’, website design for internet project, Department of Art and Technology,
Northwestern University and Block Museum, Evanston, US

1998
‘Insight?’, Formule 2 in collaboration with Prof. dr M. Vermeulen, Amsterdam Medical Center, Amsterdam, NL
‘Orientation Point’ and ‘Reference Point’, the National Energy Research Center, Petten, NL
‘Screen’, data display, Emergency Services Centre, Alkmaar, NL

1995
‘Abri’, Prof. Van der Leeuw Foundation/Praktijkburo, Wijk aan Zee, NL

1999 – 1992
‘Spirit House’, 5 sculptures for Regional Health Centres, Province Zuid-Holland, NL

 

SKETCHES FOR WORKS IN THE PUBLIC DOMAIN

2009
Proposal for rock triangle, Bury, GB
Wandeling (Walk), Zoetermeer, NL

2005
Sculpture in two parts, province of Zeeland, NL
Sound Pillars, Leiderdorp, NL
Z bank/tree, Zoetermeer, NL

2004
Monument for Mondriaan, Winterswijk, NL

2003
Internet project/sculpture, Leeuwarden, NL

2002
LED Line, Westpoortbeheer, City of Amsterdam, NL
‘Sundial’, city of Leiderdorp, NL
‘Led Table’, Vista Smitshoek, Carnisseland, Barendrecht, NL

2001
Floating studio sculpture, Amsterdam Fund for the Arts, Amsterdam, NL


2000
‘Circle of Light’, Heemskerk, NL
‘Silent Stations’, Alkmaar, NL
1995
‘Satellite Dish’, sculpture for new Goethe Institute, Washington, US

1992
‘Observatory’, commissioned by Praktijkbureau/City of Joure, Joure, NL

COLLECTIONS

Amsterdam Medical Center (AMC), Amsterdam, NL
Gemeentemuseum, Arnhem, NL
Gemeentemuseum, Gouda, NL
Netherlands Office for the Fine Arts, The Hague, NL
Stedelijk Museum, Amsterdam, NL
The City of Amsterdam, NL
Bibliothèque Cantonale, Lausanne, CH
Kunsthaus, Zürich, CH
Kunsthalle zu Kiel, Kiel, DE
Neuer Berliner Kunstverein, Berlin, DE
Städtische Galerie im Lenbachhaus, München, DE
Städtische Kunstmuseum, Bonn, DE
Z.K.M. Karlsruhe, DE
Bibliothèque Nationale, Paris, FR
Arnolfini Gallery, Bristol, GB
Arts Council of Great Britain, London, GB
Donnell Media Library, New York, US
Museum of Modern Art, New York, US
and private collections

RESIDENCIES

2007
Loft, Mondriaan Foundation, New York, US, 2 weeks

2004/2006
KIK, Kunst in Kolderveen, Drenthe, NL, 3 months

2002
Art Lab, Netherlands Institute of Media Art (NIMk), Amsterdam, NL, 1 month

2001
Vidéographe, Production residency, Montreal, CA, 1 month
Visual Research Centre, Dundee Contemporary Arts, University of Dundee, Scotland, GB, 1 month

2000
Loft, Mondriaan Foundation, New York, US, 2 weeks

1999
Foundation Knecht-Drenth, Callosa d’en Sarria, Alicante, ES, 3 months

1998
Hafnarborg, The Hafnarfjordur Centre of Culture and Fine Art, Hafnarfjorder, IS, 2 months
Art Lab, Montevideo/Time Based Arts, Amsterdam, NL, 1 month

1994
CICV Pierre Schaeffer, Montbéliard-Belfort, FR, 3 weeks
Loft, Mondriaan Foundation, New York, US, 2 weeks

1993
Maison Jaune, Murs, FR (residency run by Museum Kröller Müller, Otterlo), 3 months

1992
Centre for the Arts, Banff, CA, 10 weeks

1990
Loft, Mondriaan Foundation, Washington Street, New York, US, 1 month

1989–1990
Headlands Center for the Arts, Sausalito, California, US, 3 months

 

INDIVIDUAL EXHIBITIONS STANSFIELD/HOOYKAAS
i = video installation

2010
‘Revealing the Invisible – The Art of Stansfield/Hooykaas’, several works, CCA, Glasgow, GB
‘Revealing the Invisible – The Art of Stansfield/Hooykaas’, several works, Street Level Photography Gallery, Glasgow, GB
‘Revealing the Invisible – The Art of Stansfield/Hooykaas’, several works, Museum GoudA, Gouda, NL
‘Revealing the Invisible – The Art of Stansfield/Hooykaas’, several works, De KetelFactory, Schiedam, NL

2008
‘Haiku, The Art of the Present Moment’, 2 channel audio/video installation (version II),
Dacapo-Artez Studio Generale, Art Academy, Zwolle, NL
‘Haiku, The Art of the Present Moment’ (i), 2 channel audio/video installation (version II),
with Paul van Dijk en Chris Brans, Dick de Bruijn Contemporary Art, Middelburg, NL

2007
‘Haiku, The Art of the Present Moment’, 2 channel audio/video installation (version I: large sculpture in the form of a book),
38th Poetry International Festival, Rotterdam, NL
‘Haiku, The Art of the Present Moment’, 2 channel audio/video installation (version I: large sculpture in the form of a book),
2nd International Buddhist Film Festival Europe, Amsterdam, NL
‘Haiku, The Art of the Present Moment’, 2 channel audio/video installation (version II: large scroll),
18th Festival with No Fancy Name at Experimental Intermedia, New York, US

2006
‘After Image / After Language’ (i), Stansfield/Hooykaas and Chantal duPont, site-specific audio/video installation
(part I), Parc La Fontaine, Montreal, CA
‘After Image / After Language’ (i), sculpture and audio/video installation (part II), Galerie La Centrale, Montreal, CA

2005
‘Re:voir la collaboration de Stansfield/Hooykaas’, Goethe Institut / Vidéographe, Montreal, CA

2004
‘Day for Night IV’ (i), audio/video installation, Visual Research Centre, Dundee Contemporary Arts, Dundee, Scotland, GB

2003
‘Day for Night III’ (i), site-specific audio/video installation, exhibition 20th World Wide Video Festival,
Vondelpark/Filmmuseum, Amsterdam, NL

2002
‘Viewfinder’ (i), site-specific video installation, Het Torentje, Almelo, NL

2001
‘Transformations’ (i), installation and symposium ‘Art and Science’, Galerie Katrin Rabus, Bremen, DE
‘Day for Night II’ (i), site-specific audio/video installation, Botanical Garden Montreal,
Galerie La Centrale/Le mois de la photo, Montreal, CA

2000
‘Re:location’ (i), Hafnarborg Museum, Hafnarfjordur, IS
‘Day for Night’ (i), installation for a video wall, Department of Informatica, University of Twente, Enschede, NL
‘Inside a Portrait’ (i), Experimental Intermedia, New York, US

1998
‘Person to Person’ (i), 3 audio/video installations with CD-Rom presentation and retrospective of 10 videotapes,
Montevideo/Time Based Arts, Amsterdam, NL
1996
‘Time Machine’ (i), video installation for Redpath Natural History Museum, Montreal, CA

1995
‘Abri-Project’ (i), 2 interactive sculptures, Stedelijk Museum, Amsterdam, NL
‘From the Personal Observatory’ (i), video sculptures, Foro Artistico, Hannover, DE
‘Table of Orientation’ (i), interactive installation and multiple ‘Points of Orientation’, Galerie Katrin Rabus, Bremen, DE

1994
‘Watchman’, Gemeentemuseum, Arnhem, NL
‘The Bird is White’ (i), Festival with no Fancy Name, New York, US
‘The Bird is White’ (i), Flexible Design, Amsterdam, NL
‘Table of Orientation’, Montevideo/Time Based Arts, Amsterdam, NL

1993
‘Stars’ (i), presented at ‘The Bird is White the White is not a Bird’, photo works exhibition, Gallery 9, Amsterdam, NL
‘Verdwijnpunt’ (i), presented at ‘The Bird is White the White is not a Bird’, photo works exhibition at Gallery 9, Amsterdam, NL
‘The Bird is White the White is not a Bird’ (i), presented at the ‘The Bird is White the White is not a Bird’
exhibition at Gallery 9, Amsterdam, NL
‘In the Eye of the Storm’, Feuerwache, Mannheim, DE
‘Vanishing Point’, Feuerwache, Mannheim, DE

1992
‘The Living Tree in the Archive’ (i), Het Archief, The Hague, NL

1991
‘From the Museum of Memory to the Personal Observatory’ (i), Galerie Katrin Rabus, Bremen, DE
‘Personal Observatory II’ (i), Galerie La Centrale, Montreal, CA
‘Five Recent Pieces’ (i), Het Kijkhuis, The Hague, NL

1990
‘Personal Observatory’ (i), Headlands Centre for the Arts, Sausalito, US
‘Museum of Memory VII’ (i), Städtische Galerie im Lenbachhaus, München, DE
‘Phosphor… from the Museum of Memory V’ (i), De Salon, Groningen, NL

1989
‘Museum of Memory VII’ (i), Museum Folkwang, Essen, DE

1988
‘Museum of Memory VII’ (i), Gemeentemuseum, Arnhem, NL
‘Point in Time’ (i), Ruine der Künste, Berlin, DE
‘Video Viewpoint’, Museum of Modern Art, New York, US

1987
‘Phosphor… from the Museum of Memory V’ (i), Pakhuis d’Theeboom, Amsterdam, NL

1986
‘Point of Orientation’ (i), Stedelijk Museum, Amsterdam, NL
‘Shadow Pictures… from the Museum of Memory II’ (i), Het Kijkhuis, The Hague, NL
‘Shadow Pictures… from the Museum of Memory II’ (i), Montevideo/Time Based Arts, Amsterdam, NL
1985
‘Piece for Libra’ (i), City Thoughts, Amsterdam, NL
‘From the Museum of Memory I’ (i), Künstlerhaus, Stuttgart, DE
‘Vi Deo Volente’ (i), Rietveldkoppel, De Appel, Amsterdam, NL
‘Stein und Wasser’ (i), Galerie Katrin Rabus, Bremen, DE

1984
‘Work in Progress’ (i), Galerie Paladijn, Amsterdam, NL
‘The Force Behind its Movement’ (i), Foundation Felison, Velsen, NL

1983
‘Out of Reach’ (i), De Vleeshal, Middelburg, NL
‘Detour’ (i), Montevideo/Time Based Arts, Amsterdam, NL
‘Following Directions’ (i), Scan Gallery, Tokyo, JP
‘Finding Directions’ (i), Plan B, Tokyo, JP
‘Wind Installations’ (i), Provinciaal Museum, Hasselt, BE
‘Vi Deo’ (i), Stedelijk Museum, Gouda, NL

1982
‘Magnetic North’ (i), Bildmuseet, Ulmeå, SE
‘Continuing Story’ (i), Fylkingen, Stockholm, SE
‘Wind Sound’ (i), installation on site no. 9, Durgerdammerdijk, Amsterdam, NL
‘Wind Direction’ (i), installation on site no. 8, Holmsund, SE
‘Wind Direction’ (i), installation on site no. 7, grounds of Bildmuseet, Ulmeå, SE
‘Wind Direction’ (i), installation on site no. 6, St. Pietersberg, Maastricht, NL

1981
‘Latitude 60’ (i), installation on site no. 5, Hostnas, FI
‘A Piece for the Four Winds’ (i), installation on site no. 4, Murole, FI
‘Pond’, (i) installation on site no. 3, Kapee, FI
‘Cutting Piece’, (i) installation on site no. 2, E 43, Berlin, DE
‘Cutting Piece’, (i) installation on site no. 1, Lineage Wood, GB
‘Two Sides of a Story’ (i), Stedelijk Museum Amsterdam, NL
‘East / West’, ‘Two Sides of a Story’ (i), Kunst und Austausch, Berlin, DE

1980
‘Finding Directions’ (i), audio installation, Franklin Furnace, New York, US
‘Video Void’ (i), Centre for Art Tapes, Halifax, CA
‘Void’ (i), The Kitchen, Centre for Video and Music, New York, US
‘Audeo Video’ (i), The Bank, Amsterdam, NL
‘Time Piece’ (i), Verein zur Förderung Kultureller Aktivitäten, Stuttgart, DE
‘Oogwenk’ (i), ’t Hoogt, Utrecht, NL
‘Time Piece’ (i), Markt 17, Enschede, NL
‘Time Piece’ (i), De Appel, Amsterdam, NL
‘Audeo Video’ (i), Kultureel Sentrum, Tilburg, NL
‘Split Seconds’ (i), window piece, Stempelplaats, Amsterdam, NL

1979
‘Transitions’ (i), Battersea Arts Centre, London, GB
‘Running Time’ (i), ’t Hoogt, Utrecht, NL

1978
‘Labyrinth’ (i), International Cultural Centre, Antwerp, BE
‘Sea of Light’ (i), Chapter Gallery, Cardiff, GB
‘Video-Changes’ (i), ’t Langhuis, Zwolle, NL
‘Continuing Lines’ (i), Gamm(a), Utrecht, NL
‘See Through Lines’ (i), Agora Studio, Maastricht, NL

1977
‘Horizontal Flow’ (i), Teesside College of Art, Middlesbrough and L.Y.C. Museum, Banks, GB
‘Memory Window’ (i), De Appel, Amsterdam, NL
‘Just like That’ (i), Air Gallery, London, GB

1976
‘Journeys’ (i), Whitechapel Art Gallery, London, GB

1975
‘What’s It to You’, Third Eye Centre, Glasgow, Scotland, GB

SELECTED GROUP EXHIBITIONS

2009
Video Festival with ‘Preoccupation’, Foundation A.M. Qattan and the Franco-German Cultural Centre, Ramallah,
Palestinian Territories Bandits-Mages, with ‘Preoccupation’, Bourges, FR
Cyber Arts Festival with ‘Preoccupation’, Boston's at Leslie University, Boston, US
Sham with ‘Preoccupation’, Beirut, LB
Double-Dutch Contemporary Dutch Culture Group Exhibition with ‘Day for Night’, at Gaga Arts Center,
Gallery Group Exhibition as well as in the
Dutch Under The Stars Outdoor Video Projections, Garnerville, NY, US
Rewind artist’s video of the 70 and 80, with ‘Running Time’, at the Stills Gallery, Edinburgh, GB
Loop Festival with ‘Preoccupation’, Melbourne, AU
‘Running Time artist’ films in Scotland 1960 to now’, Dean Gallery, Scottish Gallery of Modern Art, Edinburgh, GB

2008
Video Vortex, curator for a day, ‘Split Seconds’, Netherlands Media Art Institute, Amsterdam, NL
Loop Festival, Femlink ‘Wheel of life’, Barcelona, ES
Biennale of Contemporary Art, Femlink ‘Wheel of Life’, Nîmes, FR
‘Running Time’, Sub Urban Video Lounge, Rotterdam, NL
‘Wheel of Life’, Center for Maine Contemporary Art, Rockport, Maine, US
Wederzijds, kunst in context, kunstfestival, ‘Re:vision’ and ‘Haiku, The Art of the Present Moment’, Het Kruithuis, Den Bosch, NL
‘Perspective’, ‘Wheel of Life’ Anaid Art Gallery, Bucharest, RO

2007
‘Europe’, travelling exhibition with ‘Dialogue’, on a cruise ship in the South of Europe
CASZUIDAS, ‘Solstice’, moving images in public space, Virtual Museum Zuidas and SKOR, Amsterdam, NL
Arti Salon ‘All Members’, Arti et Amicitae, ‘Tree from Re:vision’, digital photowork, Amsterdam, NL

2006
‘Winter Solstice’ (i), video projection on storefront, part of a group exhibition ‘Light years’, Gouda, NL
‘Daydreaming’ (i), audio/video installation at an old milk factory, group exhibition
‘Journey through my Room’, Kolderveen, Drenthe, NL

2005
‘2nd International Art Festival of Gonju’ (i), representing The Netherlands, Limlap Art Museum, Gonju, KR
‘Recent Commissions’, CBK Utrecht, Amersfoort, NL
‘Thirty Years Dutch Video Art’, touring exhibition in art centres in St. Petersburg, Kaliningrad, Moscow, Niznii Novgorod,
Yekaterinburg, Novosibirsk and Krasnoyarsk, RU
‘A Short History of Dutch Video Art’, Shanghai Duolun Museum of Modern Art, Shanghai, CN
‘A Short History of Dutch Video Art’, Museum of Contemporary Art, Zagreb, HR

2004
‘T-Zone’, reflection on transformation in industry, landscape, urban development, Museum Het Domein, Sittard, NL
‘A Short History of Dutch Video Art’, Museo Patio Herreriano, Valladolid, ES
‘A Short History of Dutch Video Art’, Reykjavik Art Museum, Reykjavik, IS
‘A Short History of Dutch Video Art’, Kunstcentrum Hengelo, Hengelo, NL

2003
‘Thirty Years Dutch Video Art’, NIMk / Montevideo, Amsterdam, NL
‘A Short History of Dutch Video Art’, Gate Foundation, Amsterdam, NL
‘A Short History of Dutch Video Art’, Museo de Arte y Diseno Contemporaneo, San José, CR
‘A Short History of Dutch Video Art’, Museo Nacional Centro de Arte Reina Sofia, Madrid, ES
‘A Century of British Film / Video’, Tate Gallery, London, GB

2002
‘Wishing tree’, website design for internet project, Block Museum, Evanston, US
Symposium ‘Art Technology and Spirituality’, Northwestern University, Evanston, US

2001
‘Dier’ (Animal), Arti et Amicitiae, Amsterdam, NL
‘Strandhuisjes’ (Beach Houses) (i), Heemskerk aan Zee, NL

2000
‘Rewind to the Future’, Neuer Berliner Kunstverein, Berlin, DE
‘Du und Ich’ (i), Kunstlerwerkstatt Bahnhof Westend, Berlin, DE
18th World Wide Video Festival, Melkweg and W139, Amsterdam, NL
Salon D’Arti ‘All Members’, Arti et Amicitiae, Amsterdam, NL

1999
17th World Wide Video Festival, Stedelijk Museum, Amsterdam, NL
installation, 4th Splitski Film Festival, HR
‘Formule 2.1’ (i), Kunstlerhaus Bethanien, Berlin, DE
‘Die Musik ist wie die Malerei’ (i), 20 Jahre Galerie Katrin Rabus, Bremen, DE
installation, Städtliche Kunstsammlung, Augsburg, DE

1998
‘Formule 2.’ (i), New Metropolis, Science and Technology Centre, Amsterdam, NL
‘Star Dot Star’ (i), Side Gallery, Sheffield, GB
‘Spiegelbeeld’, Arti et Amicitiae, Amsterdam, NL
‘Zweihundert Mal Neuanflegen’, Ruine der Künste, Berlin, DE

1997
15th World Wide Video Festival, Stedelijk Museum and Melkweg, Amsterdam, NL
installation, 3rd Manifestation Internationale Vidéo et Art Electronique, Montreal, CA
CD-Soundtrack ‘Island’, Hedah, Maastricht. NL
Women and the Art of Multi Media, Goethe Institute/The National Museum of Women in the Arts, Washington, DC, US

1996
‘Re:search’, European Media Art Festival, Kunsthalle Dominikanerkirche, Osnabrück, DE
International Symposium of Electronic Art (ISEA), Artists Presentation, Rotterdam, NL
‘As Far As Japan’ (i), KW14, Den Bosch, NL
‘Intimiteit’ (Intimacy) (i), Thematic choice from the collection of Museum of Contemporary Art, Arnhem, NL

1995
‘Table of Orientation’, 8 Video Fest. Berlin, DE
International Symposium of Electronic Art (ISEA), Artists Presentation, Montreal, CA
Trilogy ‘From the Personal Observatory’ (i), Viper '95, Luzern, CH

1994
‘Een Stemming’, Provinciehuis, Zwolle, NL
‘Een Stemming’, IIAV, Amsterdam, NL
‘Die Kunst zu ändern’, Galerie Katrin Rebus, Bremen, DE
‘Man and Cyberspace’ (i), Markt 17, Enschede, NL
‘Les Abscences de la Photographie’ (i), Goethe Institut, Montreal, CA
‘Neo Natuur’ (i), Kunstpassage, The Hague, NL
‘Een Stemming’, Tweede Kamer, The Hague, NL
‘Een Stemming’, Gemeentemuseum, Arnhem, NL
‘Een Stemming’, Gouvernement, Maastricht, NL
‘Een Stemming’, Stadhuis, Vlissingen, NL
‘Een Natuurlijke Verzameling’, Artotheek Zuid-Oost, Amsterdam, NL

1993
‘Sound and Vision’ (i), De IJsbreker, Amsterdam, NL
‘Imago, Fin de Siècle in Dutch Contemporary Art (i), Hara Museum Arc, Gunmaken, JP
‘Imago, Fin de Siècle in Dutch Contemporary Art (i), Museum of Modern Art, Taipei, TW
‘Abri’ (i), Bergkerk, Deventer, NL
‘7 Ontwerpen voor een Abri’, van Abbemuseum, Eindhoven, NL
‘Sound and Vision’, touring to 9 cities in The Netherlands, I.C.A., Amsterdam, NL
‘Morgen gemaakt’, Arti et Amicitiae, Amsterdam, NL

1992
‘Consensus and Contestation’, Centre Canadien d’Architecture, Montreal, CA
‘Imitation and Inspiration, Japanese Influence on Dutch Art’ (i), Rijksmuseum, Amsterdam, NL
‘Imago, Fin de Siècle in Dutch Contemporary Art’ (i), Edifico da Alfandega do Porto, Porto, PT
‘Imago, Fin de Siècle in Dutch Contemporary Art’ (i), Expo ’92, Sevilla, ES
‘Hills and Mills’ (i), Dom Kultury, Bratislava, SK

1991
‘Video Positive’ (i), Tate Gallery, Liverpool, GB
‘Imitation and Inspiration, Japanese Influence on Dutch Art’ (i), Suntory Museum of Art, Tokyo, JP
European Media Art Festival, Kunsthalle Dominikanerkirche, Osnabrück, DE
‘Imago, Fin de Siècle in Dutch Contemporary Art’, Dom Umenia, Bratislava, SK
‘Imago, Fin de Siècle in Dutch Contemporary Art’, C.S. Mücsarnoc, Budapest, HU
‘Imago, Fin de Siècle in Dutch Contemporary Art’, La Virreina, Barcelona, ES
‘De Watertoren’ (i), Den Helder, NL

1990
‘Art meets Science and Spirituality in a Changing Economy’, workshop/lecture, Museum Fodor, Amsterdam, NL
‘Imago, Fin de Siècle in Dutch Contemporary Art’ (i), Kunst Rai, Amsterdam, NL
‘Imago, Fin de Siècle in Dutch Contemporary Art’ (i), Locarno Video Festival, CH,
‘Time Space Light’, Minerva Academy, Groningen, NL

1989
‘Holland at the Festival’, Calton Hill, Edinburgh/Inchholm Island, Scotland, GB
‘25 Jahre Video Skulptur’, Kongresshalle, Berlin, DE
‘Rijksaankopen 1988’, Rijksmuseum Twente, Enschede, NL
‘I.S. in de H.A.L.’, Rotterdam, NL

1988
‘Nederland 4’ (i), Het Prinsenhof, Delft, NL
Retrospective Stansfield/Hooykaas 1977/1987, 4e ‘Festival International de Films et Vidéos de Femmes’, Montreal, CA
‘So und So und So III’ (i), Christofori, Amsterdam, NL
‘Recent Video Art from The Netherlands’, touring in US

1987
‘Arts for Television’, Stedelijk Museum Amsterdam/VPRO Television, NL
‘Art over the Floor’ (i), Entrepôtdok, Amsterdam, NL
‘Documenta 8’ (i), Kassel, DE
‘Contour’ (i), Het Prinsenhof, Delft, NL

1986
‘15 Contemporary Artists from The Netherlands’, Art Society of the International Monetary Fund, Washington, US
‘Ars Electronica’, ORF Television, Linz/Wien, AT
‘Rijksaankopen 1985’, Rijksdienst Beeldende Kunst, The Hague, NL
‘Install Video Side’ (i), Galleria d’Arte Moderna, Bologna, IT

1985
‘Wat Amsterdam betreft’ (i), Stedelijk Museum, Amsterdam, NL
‘6 Installations’ (i), World Wide Video Festival, Gemeentemuseum, The Hague, NL
‘Rijksaankopen 1984’ (i), Rijksdienst Beeldende Kunst, The Hague, NL
‘In View of’, Long Beach Museum of Art, Long Beach, US
‘Alles und noch viel mehr, das poetische ABC’, Kunsthalle/Kunstmuseum, Bern, CH
‘Image on the Run, Dutch Video of the 80’s’, The Kitchen, New York, US

1984
‘The Luminous Image’ (i), Stedelijk Museum, Amsterdam, NL
‘Recent Acquisitions’, Museum of Modern Art, New York, US
‘Videokunst aus Holland’, Museum für Gegenwartskunst, Basel, CH
‘Im toten Winkel’, Kunstverein, Hamburg, DE

1983
‘Amsterdam koopt kunst’, Museum Fodor, Amsterdam, NL
‘2 = 1; Over de som der delen’, N.K.S. (touring in The Netherlands)
‘Ook een kunst, installaties en performances geregistreerd’, N.K.S. (touring in The Netherlands)

1982
‘Dutch Directions’ (i), Bethanienhaus, Berlin, DE
‘Dutch Directions’ (i), Museum Fodor, Amsterdam, NL
‘Videodagen’ (i), Museum Fodor, Amsterdam, NL
‘International Media Meeting’ (i), Universiteit Limburg, Maastricht, NL
‘Vision in Disbelief’ (i), 4th Biennale of Sydney, AU

1981
‘Dutch Landscape’, touring in North Holland, NL
‘Nature / Experience’, N.K.S, touring in The Netherlands

1980
‘Mixage International’ (i), Rotterdam/Breda, NL

1979
‘Aspecten Hedendaagse Fotografie’, Stedelijk Museum, Schiedam, NL
‘55 Wapping Artists’ (i), London, GB
‘Actual Dutch Art’ (i), Lisbon, PT

1978
‘Het verschijnsel performances in Amsterdam’ (i), Museum Fodor, Amsterdam, NL
‘Huishouden’ (i), Studio Amazone, Amsterdam, NL

1977
‘Artists Video’, Biddick Farm Arts Centre, Washington, G.B

1976
‘Video Symposium’, Glasgow, Scotland, GB

 

FILMOGRAPHY

FILM FESTIVAL SCREENINGS
16mm, colour with sound

1977
‘Portret van een straat’ (Portrait of a Street), 24’
Arnhem Film Festival, NL

1976
‘Een van die dagen’ (One of These Days), 30’
Toronto Festival of festivals, CA
2nd International Festival of Women’s Films, New York, US

1975
‘Overbruggen’ (About Bridges), 22’
Stedelijk Museum, Amsterdam, NL
4ème Festival International du Film de Court Métrage, Grenoble, FR
Sveriges Radio (Swedish TV), SE
Film International Rotterdam, NL

1974
‘De doos’ (A Film for Pandora), 15’, pilot
‘Een van die dagen’ (One of These Days), 30’
Cork Film Festival, IE

1973
‘Een van die dagen’ (One of These Days), 30’
London Film Festival, GB
N.O.S. (Dutch television broadcasting)

1972
‘Daydreams’, 8’, pilot, shown privately in Amsterdam and London

VIDEOGRAPHY

Haiku, The Art of the Present Moment, 2007, English version, 2 channel installation
Haiku, The Art of the Present Moment, 2007, 30’, Dutch and English version
Winter Solstice, 2006, 6’48”
Daydreaming, 2006, 9’
After Image / After Language, 2006, 17’30”, with Chantal duPont
Re:vision, 2005, 30’, Dutch and English version
Day for Night II, 2004, 2 channel installation
Deep Looking, 2003, 30’, Dutch and English version
Day for Night I, 2001
Day for Night, 2000, 2 channel installation
Re:location, 1999, 16’
Person to Person, 1998, CD-Rom
Table of Re:orientation, 1998, interactive laser disc sculpture and projection
Towards a Field Free Space, 1998, 3 channel installation
Inside a Portrait, 1997
On Either Side of the Meridian, 1997, 15’
Time Machine, 1996
As Far as Japan, 1996
Turning Point, 1995, interactive sculpture
Re:search, 1995, interactive installation
Table of Orientation, 1994, interactive laser disc sculpture
Watchman, 1994, 14’
Do you see What I see?, 1994, 26’
V, 1993/1994
Vanishing Point, 1993, 20’
Personal Observatory III, 1993, 2’
In the Eye of the Storm, 1992, 16’
Echo... from the Personal Observatory, 1991, 2’
Personal Observatory II, 1991, 5’
Intermittent Signals, 1991, 5’
Liquid Crystal, 1991, 3’
Point of Reference, 1990, 13’
Offerings, 1990, 3’
Solstice, 1989, 15’
Radiant, 1988, 5’
A Personal Observatory, 1988, 5’
From the Museum of Memory VII, 1988, 7’
Boat Piece… from the Museum of Memory VI, 1987, 6’
Dialoog, 1987, 13’
Phosphor… from the Museum of Memory V, 1987, 6’
Point in Time, 1987, 12’ (1988 also i)
From the Museum of Memory IV, 1986, 6’
Point of Orientation… from the Museum of Memory III, 1986, 15’
Shadow Pictures… from the Museum of Memory II, 1986, 8’
Vi Deo Volente, 1985, 28’
From the Museum of Memory I, 1985, 10’
Compass, 1984, 4’
The Force behind its Movement, 1984, 17’30”
Out of Reach, 1983, 15’30”
A Piece for the 4 Winds, 1982, 10’
Flying Time, 1982, 8’
2 Sides of a Story, 1981, 15’
Cutting Piece, 1981, 16’, b/w
Video Void, 1980, 20’, b/w
Eye Level, 1980, 14’, b/w
Time Piece, 1980, 9’, b/w
Audeo Video, 1979, 20’, b/w
Transitions, 1979, 12’, b/w
Tidal Flow, 1979, 14’, b/w
Split Seconds, 1979, 12’, b/w
Running Time, 1979, 6’, b/w
5 Video Environments, 1979, 60’, b/w
Labyrinth of Lines, 1978, 8’, b/w
Sea of Light, 1978, 18’, b/w
Video Changes, 1978, 10’, b/w
Continuing Lines, 1978, 15’, b/w
Moving Lines, 1978, 13’, b/w
See through Lines, 1978, 15’, b/w
Generations, 1977, 22’
Horizontal Flow, 1977, 15’, b/w
Memory Window, 1977, 30’, b/w
Memory Window, 1977, 20’, b/w
Just like That, 1977, 15’, b/w
The Road, 1976, 15’, b/w
Journeys, 1976, 10’, b/w
Moving, 1975, 30’, b/w
What’s It to You, 1975, 15’, b/w

VIDEO / TELEVISION SCREENINGS

2010
‘The Path’ (Hooykaas), public broadcast, Buddhist Broadcasting Foundation, NL

2009
‘Zazen Now’ (Hooykaas), public broadcast, Buddhist Broadcasting Foundation, NL

2007
‘Haiku, The Art of the Present Moment’, public broadcast, Buddhist Broadcasting Foundation, NL

2006
‘Vi Deo Volente’, That was Then, This is Now, De Appel, Amsterdam, NL

2005
‘Re:vision’, public broadcast, Buddhist Broadcasting Foundation, NL
‘Solstice’, Stedelijk Museum with music performed by Frances-Marie Uitti, Amsterdam, NL

2004
‘Re:location’, Kunstkanaal, cable casting in Amsterdam, Rotterdam, NL

2003
‘Deep Looking’, public broadcast, Buddhist Broadcasting Foundation, NL

2002
‘Thresholding’, Now and Then Again, Smart Project Space, Amsterdam, NL

2001
Kunsthalle, Bremen, DE
‘Wishing Tree’, screening, Center for Art and Technology, Northwestern University, Evanston, US

2000
Retina 2000 7th International Film and Video Festival, Sellye, HU
Kunsthalle, Augsburg, DE
Research House, Wimbledon School of Art, London, GB
Art Institute, Chicago, US
Center for Art and Technology, Northwestern University, Evanston, US
Dept. of TV.I, University of Dundee, Dundee, Scotland, GB
Kunstkanaal, cable casting ‘Re:location’, Amsterdam and Rotterdam, NL
‘Meet the Makers’, Donnell Media Library, New York, US

1999
‘Possible Maps’, V Tape, Toronto, CA
‘Cities and Territories’, Kurzfilmtage, Oberhausen, DE

1998
Hafnarborg, Hafnarfjordur, IS
Antitube ‘On Either Side of the Meridian’, Quebec City, CA
Videotage, Hong Kong, CN
Muumedia Festival ’98, Helsinki, FI
Kunstkanaal, cable casting ‘Do you see what I see?’, Amsterdam and Rotterdam, NL

1997
Kunstkanaal, cable casting ‘On Either Side of the Meridian’, in 3 cities in The Netherlands
Vidéographe, presentation of ‘On Either Side of the Meridian’, Montreal, CA
CD-Rom, Artists File I.C.C., Tokyo, JP
‘Revoir la Collection’, Cinéma Parallèle, Montreal, CA

1996
‘Personal Observatory’, Vidéographe, Montreal, CA
‘Lichten’, Duende, Rotterdam, NL
‘Kiosk project’, KAaP, Arnhem, NL
‘Sound and Sculpture’, Gemeentemuseum, The Hague, NL

1995
Fylkingen, Stockholm, SE
Videoformes, Clermont Ferrand, FR
Le Nouveau Festival International du Nouveau Cinéma et de la Vidéo, Montreal, CA
Kunstkanaal, cable casting ‘Vanishing Point’ in 4 cities in The Netherlands
13th World Wide Video Festival, Trilogy ‘From the Personal Observatory’, The Hague, NL
‘Nuevas Tendencias’, Museo Nacional, Reina Sofia, Madrid, ES
International Video Festival on Science Society and Development, Trivandrum, IN
Gallerie d'art Lionel Groulx, Montreal, CA

1994
Kunstkanaal, cable casting ‘Do you See What I See?’, in 5 cities in The Netherlands
‘Midsummer Song’, Icelandic Television, IS
Ferdinandeum, Innsbruck, AT
‘The Bird is white’, installation of short duration, De IJsbreker, Amsterdam, NL
Kunstkanaal, cable casting in 5 cities
P.A.R.K. T.V., Summer Solstice, Amsterdam, NL

1993
Le Mondiale, Quebec, CA
Video Visit, Arnhem, NL
AVE Festival, Arnhem, NL
Diagonale, Salzburg, AT
Informal European Arts and Media Meeting, The Felix Meritis Foundation, Amsterdam, NL
‘Vanishing Point’, premiere on Kunstkanaal, NL

1992
Kunstkanaal, cable casting ‘In the Eye of the Storm’ in 5 cities in The Netherlands
10th World Wide Video Festival, The Hague, NL
Deutscher Videokunstpreis 1992, Stadtkirche, Karlsruhe, DE
‘Solstice’, public broadcast, SWF3, DE
6ème Manifestation Internationale de Vidéo et de Télévision, Montbéliard, FR
Videonale 5, Bonn, DE
‘Panorama del Videoarte’, Cultural Center Conde Duque, Madrid, ES
21ème Festival International du Nouveau Cinéma et de la Vidéo, Montreal, CA
7th Australian International Video Festival, Sydney, AU
8th Cadiz International Video Festival, Cadiz, ES
‘FutureTense’, ‘Solstice’, Whitechapel Art Gallery, London, GB
‘FutureTense’, ‘Solstice’, Cornerhouse, Manchester, GB
‘FutureTense’, ‘Solstice’, Watershead, Bristol, GB
‘FutureTense’, ‘Solstice’, Zap Club, Brighton, GB
‘FutureTense’, ‘Solstice’, Centre Audiovisuel Simone De Beauvoir, Xème Anniversaire,
Festival International des Vidéos et des Films, Paris, FR

1991
‘Point of Reference’, Kunstkanaal, cable casting, in 5 cities in The Netherlands
‘Solstice’, Quattro Mostre Video per Quattro Paesi, Perugia/Roma, IT
‘Solstice’, with music performed by Frances-Marie Uitti, Stedelijk Museum, Amsterdam, NL
‘Solstice’, De IJsbreker, Amsterdam, NL
‘Solstice’, De Unie, Rotterdam, NL
‘Rétrospective Stansfield/Hooykaas’, 10 tapes, Cinéma Parallèle, Montreal, CA
‘Art and Science’, Video Umbrella touring exhibition, Tate Gallery, Liverpool, GB

1990
Museum Portikus, Frankfurt, DE
Viper ’90, Luzern, CH
19ème Festival International du Nouveau Cinéma et de la Vidéo, Montreal, CA
European Media Art Festival, Osnabrück, DE
Videonale 4, Bonn, DE
9th World Wide Video Festival, The Hague, NL
‘Solstice’, with music performed by Frances-Marie Uitti, Pakhuis d’Theeboom, Amsterdam, NL
‘Solstice’, premiere on Kunstkanaal, cable casting in 5 cities

1989
Video Fest, Berlin, DE
Neuer Berliner Kunstverein, Berlin, DE
Galerie Pentagon, Köln, DE
Art Fair, Frankfurt, DE
Arti et Amicitiae, Amsterdam, NL
Kunstkanaal, cable casting, Rotterdam, NL
Real Dutch Art, cable casting, Austin, Texas, US

1988
Städtische Kunstmuseum, Bonn, DE
Boston Film and Video Foundation, Boston, US
The Living Art Museum, Reykjavik, IS
Dordrechts Museum, Dordrecht, Amsterdam, NL
Groningen, cable casting, NL
Kunstkanaal, cable casting, Rotterdam, NL
Videonale 3, Bonn, DE
Recent Video Art from The Netherlands, touring in the US

1987
Tel Aviv Museum, Tel Aviv, IL
Television Festival, Scan Gallery, Tokyo, JP
VPRO Television, NL
Stedelijk Museum, Amsterdam, NL
3ème Festival International de Films et Vidéos de Femmes, Montreal, CA
Zelfbeeld, De Burcht, Leiden, NL
U-Media Festival, Umeå, SE
Video Festival, Ljubljana, SI
World Wide Video Festival, The Hague, NL
Rijksaankopen, Logement, The Hague, NL

1986
Recent British Video, Auckland City Art Gallery, NZ
Opening De Appel, Amsterdam, NL
Ars Electronica, Linz/Wien, AT
Naranja, Köln, DE
Rijksaankopen, The Hague, NL

1985
EU-Video ’85, Bologna, IT
14ème Festival International du Nouveau Cinéma et de la Vidéo, Montreal, CA
Fukui International Video Festival ’85, Fukui, JP
L’Institut Néerlandais, Paris, FR
Image on the Run, Dutch Video of the 80’s, The Kitchen, New York (and touring in the US)
The Institute of Contemporary Art, Boston, US
Hansa Centrum and Barbara J. Jandrig Galerie, Krefeld, DE
Videokids ’85, Udine, IT
Museum of Modern Art, Oxford, GB
Frauenmuseum, Bonn, DE
Rijksaankopen, The Hague, NL
The Women’s Festival, Wien, AT
World Wide Video Festival, The Hague, NL

1984
‘Videokunst aus Holland’, Kunstmuseum Basel/Museum für Gegenwartskunst, Basel, CH
Kunstmuseum, Bern, CH
Centre d’Art Contemporain, Genève, CH
Kunsthaus, Zürich, CH
‘Videokunst uit Nederland’, Beursschouwburg, Brussels, BE
Videonale, Bonn, DE
13ème Festival du Nouveau Cinéma et de la Vidéo, Montreal, CA
2ème Manifestation Internationale de Vidéo et de Télévision, Montbéliard, FR
National Video Festival, Los Angelos, US
Videokunst in Düsseldorf, DE
Semaine de Vidéo, Rennes, FR
Film Festival, Rotterdam, NL
Photographers Gallery, London, GB
World Wide Video Festival, The Hague, NL
Video circuit in 10 cities in The Netherlands

1983
Montevideo/Time Based Arts, Amsterdam, NL
Galerie A.K., Frankfurt, DE
Air Gallery, London, GB
‘Recent British Video Art’, The Kitchen, New York, US
‘Nederlandse kunst in Athene’, National Pinakothiki, Athens, GR
12ème Festival du Nouveau Cinéma et de la Vidéo, Montreal, CA
‘Nederlandse Videokunst’, Moriaan, Den Bosch, NL
‘Nederlandse Videokunst’, Stadsschouwburg, Tilburg, NL
‘Reykjavik-Amsterdam, ter weerszijden van de Meridiaan’, Museum Fodor, Amsterdam, NL
The Living Art Museum, Reykjavik, IS

1982
World Wide Video Festival, The Hague, NL
‘Live to Air’, Tate Gallery, London, GB
Basel Art Fair, Galerie Stampa, Basel, CH

1981
‘Dutch Treat’, Soho cable casting, New York, US

1980
Air Gallery, ‘L.V.A. Exhibition’, London, GB
Biddick Farm Artists Video, Washington, GB

1979
Biddick Farm Artists Video, Washington, GB
10 Years Video, Rome, IT
ACME Gallery, ‘L.V.A. Exhibition’, London, GB
Mickery Theater, Amsterdam, NL

1977
‘Memory Window’, L.O.B. cable casting, Bijlmermeer, Amsterdam, NL

1976
Architectural Association, London, GB
Merseyside Video Exhibition, cable casting, Liverpool, GB

 

 

BIBLIOGRAPHY

MONOGRAPHS

Revealing the Invisible – The Art of Stansfield/Hooykaas from Different Perspectives, eds.
Hooykaas, Madelon and Claire van Putten, De Buitenkant, Amsterdam, 2010

Madelon Hooykaas/Elsa Stansfield, Transformations (exh. cat.),
Galerie Katrin Rabus, Bremen 18 Oktober – 15 November 2001

Hooykaas/Stansfield, Re:location (exh. cat.), Hafnarborg, Iceland, 2000

Stansfield / Hooykaas, Person to Person, (exh. cat. with CD-Rom), Netherlands Media Art Institute,
Montevideo/Time Based Arts, Amsterdam, 1998

Madelon Hooykaas Elsa Stansfield – Time Machine (exh. cat.), Redpath Museum /
McGill University, Montréal, November 8 – December 15 1996

Madelon Hooykaas/Elsa Stansfield – From the Personal Observatory (exh. cat.), Foro Artistico in der Eisfabrik Hannover,
Galerie Katrin Rabus Bremen, 19 Oktober – 17 November 1995

Madelon Hooykaas/Elsa Stansfield, From the Museum of Memory (exh. cat.), Künstlerhaus, Stuttgart, May 4 – June 8 1985

Madelon Hooykaas/Elsa Stansfield, From the Museum of Memory to a Personal Observatory, (exh. cat.)
Galerie Katrin Rabus, Bremen, 24 November 1991 – 15 Januar 1992

Hooykaas/Stansfield, Personal Observatory (exh. cat.), Contemporary Art Foundation, Amsterdam, 1989

Madelon Hooykaas / Elsa Stansfield – Out of Reach video installation (exh. cat.),
De Vleeshal Middelburg, July 22 – August 11 1983

Madelon Hooykaas Elsa Stansfield, Audio Video Installations (exh. cat.), Provinciaal Museum, Hasselt, March – April 1983

Madelon Hooykaas Elsa Stansfield 5 video environments (exh. cat.), Agora Studio, Maastricht, 1979

Else Madelon Hooykaas Elsa Stansfield, ‘Labyrinth’ video-environment (exh. cat.),
ICC, Antwerp, 14 oktober – 12 november 1978

Madelon Hooykaas Elsa Stansfield (White Bird) The Lines of His Hands – Fragments From a Videotape
(exh. cat.), Gamm(a)gazine 7, Utrecht, 1978

 

AUDIO PUBLICATIONS
stereo, compact cassette

Split Seconds, 24’, audio tape and stampworks, De Stempelplaats, Amsterdam, 1979
‘Au Deo Vi Deo’,10’, Audio Transart no. 2, New York, 1980
Transposed Environment, 24’, audiotape and 7 b/w photographs, Cres Publishers, Amsterdam, 1980
‘Void’,10’, Live to Air, Audio Arts, London, 1982

 

PUBLICATIONS

2010

Kampoli, Panayota K., Remembering the Future: The Inventory of the Hooykaas/Stansfield Archive,
Thesis (MA) Presentation and Preservation of the Moving Image, University of Amsterdam, 2010

2009

‘Madelon Hooykaas / Elsa Stansfield, Split Seconds’, Rewind + Play: An Anthology of Early British Video Art
(DVD, disc 3), 2009, p. 30 – liner note

‘Stansfield / Hooykaas: Viewfinder, 06 04 | 06 07 2007’, Genius Loci: 15 jaar installaties in Het Torentje Almelo,
Stichting Het Torentje, Almelo, 2009, pp. 62–65

Steetskamp, Jennifer, ‘Moving Images and Visual Art: Revisiting the Space Criterion’, in Cinema & Cie:
International Film Studies Journal, vol. 9, 2009, pp. 65–70

Wildevuur, Sabine E., Invisible Vision: Could Science learn from the Arts?, Bohn Stafleu van Loghum, Houten, 2009, p. 88

Zijlmans, Kitty, ‘Place, Site and Memory in Contemporary Works of Art’, Take Place:
Photography and Place from Multiple Perspectives, Westgeest, Helen (ed.), Valiz, Amsterdam, 2009, pp. 239–244

2008

‘Madelon Hooykaas, Haiku, stills’, Innerlijke Spiegels: Wederzijds – kunst in context,
Het Kruithuis, Ansgar Editions, ’s-Hertogenbosch, 2008, p. 206

Rottenberg, Silvia, ‘Verder kijken dan de ander’, Innerlijke Spiegels: Wederzijds – kunst in context,
Het Kruithuis, Ansgar Editions, ’s-Hertogenbosch, 2008, p. 217

‘Speurtocht naar Eindeloosheid’, Wederzijds – kunst in context (cat.),
Het Kruithuis, ’s-Hertogenbosch, 2 november t/m 14 december 2008, pp. 128–129

2007

Beek, Nils van, ‘2006 Lichtjaren’, Manifestaties: SKOR kunstprojecten deel 4, SKOR, Amsterdam, 2007, pp. 77–81

duPont, Chantal, ‘Concept de circularité dans la structuration narrative de l’œuvre chez
Madelon Hooykaas / Elsa Stansfield et Gary Hill’,
Dispositifs Audio Vidéo et Enjeux Narratifs: Cahier 3, Éditions de l’École des arts visuels et médiatiques de
l’UQAM, Montréal, mai 2007, pp. 7–18, 27, 28, 29, 31

Giraudon, Marie-France, ‘Flux/Reflux: Lorsque le lieu se réfléchit comme paysage’,
ETC – Revue de l’art actuel, Montréal, no. 77, mars – mai 2007, pp. 56–60

Hooykaas / Stansfield, ‘Radiant, a Personal Observatory’, Installation 75 90,
Netherlands Media Art Institute, Montevideo/Time Based Arts (DVD), 2007

Hooykaas / Stansfield, ‘The Table of Orientation’, Installation 90 95,
Netherlands Media Art Institute, Montevideo/Time Based Arts (DVD), 2007

2006

Hooykaas, Madelon, ‘Notes on Improvisation’, Contemporary Music Review, vol. 25, numbers 5/6, October / December 2006,
Nelson Peter (ed.), Routledge, London, pp. 447–449

Hooykaas / Stansfield, ‘Daydreaming’, Reis door mijn Kamer (exh. cat.), De Venen, Nijeveen, pp. 87–88

Leij, Machteld, PRESENT: Kunst bij rijksgebouwen 2004 – 2006, episode publishers, Rotterdam, 2007, pp. 30–31

Mechelen, Marga van, De Appel: performances, installations, video, projects 1975 – 1983, De Appel, Amsterdam, 2006,
pp. 169, 222, 225, 280, 283, 284, 289, 294–295, 344, 406, 412, 415–417

Meigh-Andrews, Chris, A History of Video Art: The Development of Form and Function,
Berg Publishers, Oxford, 2006, pp. 26–27, 46, 246–248

Poppe, Ine, ‘Intrigerend boek over begin De Appel’, NRC Handelsblad, 8–11–2006

Poppe, Ine, ‘Intrigerend boek over begin De Appel’, NRC-Next, 9–11–2006

‘Re:vision, Geïnspireerd door een tekst uit het boek ‘Going Home’ van Thich Nhat Hanh /
Inspired by the book ‘Going Home’ by Thich Nhat Hanh’,
Boeddhistische omroep: Het Verschil Tussen Kijken en Zien / Buddhist Broadcasting:
The Difference Between Looking and Seeing, September 2006, p. 104 (English and Dutch)

2005

‘Elsa Stansfield (1945 – 2004)’, in de nieuwe (maatschappij Arti et Amicitiae), jrg. 9, maart 2005, p. 20

Elwes, Catherine, Video Art, A Guided Tour, I.B. Tauris, London / New York, 2005, pp. 57, 149

If walls had ears / Als muren oren hadden. De Appel 1984 – 2005, De Appel, Amsterdam, 2005, pp. 692, 699, 701

Lopez, Sebastian, A short history of Dutch video art / Una breve historia del video arte en Holanda,
Gate Foundation, episode publishers, Rotterdam, 2005,
pp. 22 (English), 94–97 (photos), 152 (English and Spanish), 188–190

‘Madelon Hooykaas’, 2005 Gongju International Art Festival, LimLip Art Museum,
Gongju, South Korea, Oct 14 – Nov 2, 2005, pp. [36– 37] (Korean and English)

Partridge, Steve, ‘Elsa Stansfield (1945 – 2004) – Pioneer of European artist ‘video’,
The Variant, nr. 23, Glasgow, summer 2005, p. 5

‘Stansfield / Hooykaas, Water wordt licht, 2004, Bunschoten (Eemdijk)’, {p}review:
CBK Utrecht and kunstopdrachten 2000, 2005, p. 15

2004

Breddels, Lilet, ‘Elsa Stansfield & Madelon Hooykaas: Day for Night III’, 20th World Wide Video Festival 2004 (CD-Rom cat.)

‘Day for Night (Elsa Stansfield / Madelon Hooykaas)’, les centrelles (cat.), La Centrale /
Galerie Powerhouse, Montréal, 2004, pp. 68–69 (English), 70 (French)

‘Deep Looking’, Boeddhistische Omroep Stichting / Buddhist Broadcasting Foundation:
TV-Producties / TV Broadcasts, April 2004, pp. 90–91

Groenendijk, Paul, De Hoftoren: Ministerie van Onderwijs, Cultuur en Wetenschap,
010 Publishers, Rotterdam, 2004, pp. 56–58, 85

Smallenburg, Sandra, ‘Elsa Stansfield (1945 – 2004) – Beeldhouwer met video’, NRC Handelsblad, 1–12– 2004

Viloria, Maria Aurora, ‘Arte en movimiento y a la carta’, El Norte de Castilla,
8–6–2004

2003

‘30 Jaar videokunst’, de Volkskrant, 9–1–2003

A Short History of Dutch Video Art: 30 years in 30 works of 30 artists. An Exhibition of Single Channel Works (exh. cat.),
Gate Foundation, Amsterdam, 8 February – 8 March 2003

Boer, Cees de, ‘Kennis der natuur als ervaring’, OPEN, no. 4/2003: Kunst in het veranderd landschap, pp. 50–55

Boomgaard, Jeroen and Bart Rutten (eds.), The magnetic era: Video art in the Netherlands 1970 – 1985,
NAi Publishers, Rotterdam, Netherlands Media Art Institute,
Montevideo/Time Based Arts, Amsterdam, 2003, pp. 48, 49, 59, 68, 92–95, 111, 112, 125, 127, 139, 175

Boomgaard, Jeroen en Bart Rutten (red.), De magnetische tijd: Videokunst in Nederland 1970 – 1985,
NAi Uitgevers, Rotterdam, Nederlands Instituut voor Mediakunst,
Montevideo/Time Based Arts, Amsterdam, 2003, pp. 49, 50, 59, 69, 92–95, 111, 112, 127, 129, 139, 175

De houdbaarheid van videokunst: Conservering van de Nederlandse videokunst collectie /
The sustainability of video art: Preservation of Dutch video art collection, Stichting Behoud Moderne Kunst /
Foundation for the Conservation of Modern Art, Amsterdam, 2003, pp. 15, 29, 68, 69

‘Dertig jaar Nederlandse videokunst’, Het Parool, 28–2–2003

‘Gemeente Spijkenisse’, 2x180o Kunst in de openbare ruimte in Zuid-Holland, Kunstgebouw, Rijswijk, 2003, pp. 60–65

‘Madelon Hooykaas & Elsa Stansfield / Nederland: Day for Night III (2003)’,
World Wide Video Festival (progr.), Amsterdam, 8 – 25 mei 2003, p. 10

‘Overzicht van geconserveerde werken / List of preserved video art works’, De houdbaarheid van videokunst:
Conservering van de Nederlandse videokunst collectie / The sustainability of video art: Preservation of Dutch video art collection,
Stichting Behoud Moderne Kunst / Foundation for the Conservation of Modern Art, Amsterdam, 2003, pp. 115, 116

Perrée, Rob, ‘De Zichtbare Onzichtbaarheid / Making the Invisible Visible’, AMC Kunstboek / AMC Art Book,
Kunstzaken AMC, Salomé – Amsterdam University Press, 2003, pp. 130–133 (Dutch), 134–135 (English)

‘Stansfield / Hooykaas: Outside Inside 1982’, 30 Jaar Nederlandse Videokunst (exh. cat.), Nederlands Instituut voor Mediakunst,
Montevideo/Time Based Arts, Amsterdam, 11/1 – 8/3 2003

‘Stansfield / Hooykaas: Outside Inside 1982’, 30 Years Dutch Video Art (exh. cat.), Netherlands Media Art Institute,
Montevideo/Time Based Arts, Amsterdam, 11/1 – 8/3 2003

‘Stansfield / Hooykaas, ‘Water wordt licht’, Boegbeelden in kaart gebracht, Centrum Beeldende Kunst, Utrecht, 2003

Velde, Paola van de, ‘Dertig jaar Nederlandse videokunst’, De Telegraaf, 13–1–2003

Wesseling, Janneke, ‘Overzicht videokunst lijdt onder chaotische presentatie’, NRC Handelsblad, 22–1–2003

‘Wind wordt licht, Stansfield en Hooykaas’, Kunst in De Hoftoren (cat.), Ministerie van Onderwijs,
Cultuur en Wetenschap, De Hoftoren, Den Haag, december 2003, pp. [22–23]

2002

‘Dertig jaar Nederlandse videokunst’, BK-Informatie, 24e jrg. nr. 8, 6 december 2002, p. 18

duPont, Chantal, ‘Ciné-jardin, lieu de mémoire’, ETC – Revue de l’art actuel, no. 57, mars – mai 2002, pp. 54–56

Gelder, Ronald van, ‘Het brein in zicht’, Fysioscoop, september 1999, pp. 12–13

Halberstadt, Jutka, ‘Beelden in de buitenwereld’, Psychologie Magazine, september 2002, p. 53

‘Jury Film & Video, Madelon Hooykaas’, Prix de Rome 2002, 010 Publishers, Rotterdam, 2002, p. 142 (Dutch and English)

Ruiten, Joep van, ‘Grensverkenners in de Veenkoloniën – De Semslinie Kunstlijn: bakens in een weids landschap’,
Dagblad van het Noorden, 14–6–2002

2001

Gelder, Ronald van, ‘Het Brein in zicht’, Het Brein als Bron van Inspiratie, Hersenstichting Nederland, Den Haag, 2001, pp. 13–14

Keijer, Kees, ‘Strandhuisjes voor de verbeelding’, Het Parool, 4–8–2001

Rabus, Katrin, ‘Zu den Arbeiten von Madelon Hooykaas/Elsa Stansfield / On the work of Madelon Hooykaas/Elsa Stansfield’,
in Transformations (exh. cat.), Ausstellung im Rahmen des Bremen Symposiums ‘Kunst und Wissenschaft’ der Heinrich Böll Stiftung
und der Galerie Katrin Rabus, 18 Oktober bis 15 November 2001, pp. 3 (German), 4 (English)

Velserboer, Jaap, ‘Strandhuisjes – een locatieproject op het Heemskerker strand’, Strandhuisjes (exh. cat.),
Beeldende Kunst Manifestatie, Heemskerk aan Zee, 15 juli – 2 september 2001, pp. 6–7, 30–31

Video-Forum des Neuen Berliner Kunstvereins: Bestandskatalog 2001, pp. 140 (German), 141 (English)

Wesseling, Janneke, ‘Le Paysage Emprunté’, Le Mois de la Photo à Montréal, septembre 2001, pp. 162–167
(French), 204 (English summary)

2000

Driel, Anne van, ‘Grasstengel deinend in de wind’, de Volkskrant, 10–12–2000

Driel, Anne van, ‘Madelon Hooykaas & Elsa Stansfield, Re:location’, 18th World Wide Video Festival ’00 (cat.),
Amsterdam, pp. 218 (Dutch), 219 (English), 220–221 (photos)

Elsa Stansfield / Madelon Hooykaas, ‘Field Free Space’, Semslinie Kunstlijn (exh. cat.), DLG Groningen / Drenthe, pp. 57–62

Gortzak, Roos, ‘Locatie: Kunstkanaal’, Simulacrum, maart 2000, pp. 900–902

‘Madelon Hooykaas & Elsa Stansfield, Re:location’, 18th World Wide Video Festival ’00 (progr.), Amsterdam, (Dutch and English)

Mulder, Arjen, ‘Building Gracefulness in the World’ in Re:location (exh. cat.), Hafnarborg, 2000, pp. 5–9 (Icelandic), 11–18 (English)

Runólfsson, Halldór Björn, ‘Tilfærsla’, Morgunblađiđ, 10–5–2000

Schoonenboom, Merlijn, ‘Cyclische tijd voor nieuwsgierige mensen, Stansfield & Hooykaas: openbare kunst’, Trouw, 3–2–2000

Smegen, Marieke, ‘Kunst tegen hoogspanning’, NvLN, 31–10–2000

1999

Beyer, Miklos, ‘Madelon Hooykaas & Elsa Stansfield, Person to Person’, 17th World Wide Video Festival ‘99 (cat.),
Amsterdam, 15 September – 11 October 1999, pp. 194 (Dutch), 195 (English), 196–197 (photos)

‘Do You See What I See?’, 45th International Short Film Festival Oberhausen:
Festival Catalogue 1999, p. 159 (German and English)

Fricke, Christiane, ‘Hybride Artefakte’, Kunstforum 144, March – April 1999, p. 86

Gingras, Nicole, ‘Vision – Breath – Suspension: A Question of Focus’, possible maps (cat.), A V tape exhibition project,
February 11 – March 11 1999, Toronto, pp. [11, 12, 15]

‘Grand Prix of New Media’, Algemeen Dagblad, 13–10–1999

‘Hooykaas & Stansfield’, Festival van Zuid-Beveland, Zeeland Nazomer Festivals (cat.), 02 t/m 26 sept. 1999, p. 33

‘Madelon Hooykaas / Elsa Stansfield, Abri (1995)’, Boekman cahier 40, 11e jrg., juni 1999, p. 147, 211

‘Madelon Hooykaas & Elsa Stansfield, Person to Person’, 17th World Wide Video Festival ’99 (progr.),
Amsterdam, 15 September – 11 October 1999, pp. 21–22
(Dutch and English)

Schöpfung, Mutierte, ‘Art – Das Kunstmagazin’, no. 2, Feb. 1999, p. 81

‘Stansfield / Hooykaas, Person to Person’ (cat.), new media, 4th Split film festival 1999

‘Stansfield + Hooykaas > < Rien Vermeulen’, Formule 2.1 (exh. cat.), Formule 2, January 22 until February 21,
1999 and Des Künstlers Hirn, March 4 until April 7 1999, Künstlerhaus Bethanien, Berlin, pp. 32–36 (German), 36–37 (English)

Wendenburg, Christina, ‘Dr. Faustus lässt grüssen’, TIP, Berlin, 3/99, p. 81

1998

Gelder, Ronald van, ‘De verbeelding van het brein’, Psychologie, februari 1998, pp. 44–45

Hagoort, Erik, ‘De essentiële rol van de gewaarwording’, de Volkskrant, 18–2–1998

Hagoort, Erik, ‘Montevideo: IJsberg blijkt digitale databank’, de Volkskrant,
18–11–1998

Herst, Deanna, ‘Stansfield / Hooykaas: Montevideo/Time Based Arts, Amsterdam, Ends December 24’,
Creative Camera, December 1998

Holtappels, Heiner, ‘Dislocation’, in Stansfield / Hooykaas, Person to Person, (exh. cat. with CD-Rom), Netherlands
Media Art Institute, Montevideo/Time Based Arts, Amsterdam, 14 November – 25 December 1998, pp. 5–11 (English), 16–23 (Dutch)

‘Hooykaas / Stansfield – Madelon Hooykaas, Hooykaas / Stansfield – Elsa Stansfield’, Spiegelbeeld:
Publicatie naar aanleiding van de tentoonstelling Spiegelbeeld, Arti et Amicitiae, Amsterdam 1998, augustus 1998

‘Madelon Hooykaas, Elsa Stansfield: On Either Side of the Meridian’,
MuuMedia Festival 98 (cat.), 9.10 – 18.10, Helsinki, 1998, p. 128

Mulder, Arjan, ‘Gratie bouwen in de wereld / Building gracefulness in the world’,
Montevideo/Time Based Arts, issue 09, winter 1998 / 1999, pp. 2–3 (Dutch and English)

Sloan, Helen (ed.), ‘Madelon Hooykaas and Elsa Stansfield, Table of Re-Orientation (1995/8)’, *.* (star dot star),
Site Gallery, Sheffield, 1998, pp. [28–30, 34]

Smallenburg, Sandra, ‘Nieuwe Media’, Beroep: kunstenares,
De beroepspraktijk van beeldend kunstenaressen in Nederland 1898 – 1998, SUN,
Nijmegen, 1998, pp. 172, 176–178, 180, 181–184

‘Stansfield & Hooykaas en Rien Vermeulen’, Formule 2: Kunstenaars en wetenschappers in dialoog, Amsterdam, 1998, pp. 12–17

‘Waterkringloop in kunstwerk gevangen – De natuur als inspiratiebron’, Prisma, jrg. 2, nr.8, oktober 1998, pp. 10–11

Wesseling, Janneke, ‘Videokunst met ruimte voor het toeval’, NRC Handelsblad, 10–12–1998

1997

Campeau, Sylvain, ‘Madelon Hooykaas et Elsa Stansfield: Une opération scientifique’,
ETC – Revue de l’art actuel, no. 38, juin – août 1997, pp. 42–43

‘Do You See What I See?, Madelon Hooykaas, Elsa Stansfield’, Revoir la collection (exh. cat.),
Montréal, 1997, p. 68 (French and English)

Hal, Marieke van, ‘About art, media and media art: interview with René Coelho’, The Second,
Time Based Art from the Netherlands (cat.),
Netherlands Media Art Institute, Montevideo/Time Based Arts, 1997, p. 17

Hooykaas, Madelon, ‘En Route’, BK-Informatie, 19e jrg. nr. 1, 31 januari 1997, p. 16

Lamarche, Bernard, ‘Visuel interactif: Des installations déposées dans les monobandes’, Le Devoir, Montréal, 27/28–9–1997

‘Madelon Hooykaas Elsa Stansfield: Inside a Portrait’, 3ème Manifestation Internationale Vidéo et Art Électronique,
Foufounes Électriques, Montréal, Du 23 au 29 septembre 1997, p. 27

Strengholt, Geerd Jan, ‘Hooykaas & Stansfield: On either side of the meridian’, 15th World Wide Video Festival ’97 (cat.),
12 september – 5 oktober 1997, pp. 222 (Dutch), 223 (English), 224–225 (photos)

1996

Catalogue: Netherlands Media Art Institute, Montevideo/Time Based Arts, Amsterdam, 1996, pp. 22–23
(Dutch and English), 45, 66, 106–107 (Dutch and English), 134, 219–222 (Dutch and English)

Coninck, Frits de, ‘Wat betreft Japan’, De Stem, 5–4–96, in As Far as Japan...: evaluatie, Nieuwe Brabantse Kunst Stichting, 1996

‘Duo Stansfield en Hooykaas wint Leysterprijs’, de Volkskrant, 13–4–1996

Gingras, Nicole, ‘La Mémoire comme Medium / Memory as Medium’, in Time Machine (exh. cat.),
Redpath Museum / McGill University, Montréal, 1996, pp. 7–13 (French), 15–20 (English)

Hammann, Peter, ‘Twee video-kunstenaressen winnen Judith Leysterprijs’, De Haarlemmer, 18–4–1996

‘Judith Leysterprijs 1996’, BK-Informatie, 18e jrg. nr. 4, 7 juni 1996, p. 28

Kuijl, Aart van der, ‘Madelon Hooykaas en Elsa Stansfield werken al lang samen: Onze reizen leveren veel materiaal op’,
Haarlems Dagblad en IJmuider Courant, 12–4–1996

Lamarche, Bernard, ‘Sur nos habitudes de regarder’, Le Devoir, Montréal,
7–12–1996

Landon, Paul, ‘The Observer in the Flux: The Audio/Video Art of Madelon Hooykaas and Elsa Stansfield / Der Betrachter im Fluss:
Die Audio/Video Kunst von Madelon Hooykaas und Elsa Stansfield’, in Madelon Hooykaas / Elsa Stansfield -
From the Personal Observatory (exh. cat.), Galerie Katrin Rabus, Bremen, 1996, pp. [3–6] (English), [18–20] (German)

‘Madelon Hooykaas & Elsa Stansfield’, La Folie à Deux: 512 Portraits, LawickMüller, Stuttgart, 1996, pp. [34–35]

‘Madelon Hooykaas and Elsa Stansfield – Personal Observatory’, Seventh International Symposium on Electronic Art:
Book of Abstracts (cat.), September 16 – 20, 1996, Rotterdam, p. 39

‘Madelon Hooykaas and Elsa Stansfield, Re:Search’, European Media Art Festival (cat.),
Osnabrück, 11th – 15th September 1996, pp. 168–169 (German and English)

Mechelen, Brigitte van, ‘Hooykaas / Stansfield’, As Far as Japan... (exh. cat.), KW 14, ’s-Hertogenbosch / NBKS, Breda,
17 maart – 21 april 1996, pp. 28–29 (Dutch), 57–58 (English)

PBK 91–95 Vijf jaar Beeldende Kunst Opdrachten, Abri Project Wijk Aan Zee,
Mondriaan Stichting Praktijk Buro, Amsterdam, 1996, pp. 52–55

Ross, Catherine, ‘Préface / Preface’, in Time Machine (exh. cat.),
Redpath Museum / McGill University, Montréal, 1996, pp. 4 (French), 5 (English)

1995

13th World Wide Video Festival (exh. cat.), Den Haag, 1995, (Dutch and English)

24ème Festival International du Nouveau Cinéma et de la Vidéo (exh. cat.), Montréal, June 8 – 18 1995, p. 87 (French and English)

‘Aluminium sculptuur tooit duinrand Wijk aan Zee’, Starvision – Hoogovens Groep Magazine, jrg. 4 nr. 10 april 1995, p. 36

Bohse, Axel, ‘Table of Orientation’, 8 Video Fest ’95 (exh. cat.), Mediopolis, Berlin, 1995, pp. 7, 9, 22 (German and English)

Brunsman, Peter, Amsterdamse Ateliers, Stichting Woon en Werkruimten voor Kunstenaars, Amsterdam, pp. 34, 35, 36

‘Im Innern des Vogelflugs’, video-art von Elsa Stansfield und Madelon Hooykaas in Hannover,
Hannoversche Allgemeine Zeitung, Hannover, 23–10–1995

Koelemeyer, Judith, ‘Schuilplaats met overdonderend stereo geluid van de ruisende zee’, de Volkskrant, 4–4–1995

Malsch, Friedemann, ‘Point of Orientation’, Kunstler-Videos – Entwicklung und Bedeutung,
Cantz Verlag Kunsthaus, Zürich, pp. 138–140

Mekkink, Mieke, ‘Kunst Van Nu’, encyclopedisch overzicht vanaf 1970,
Primavera Pers, Leiden, 1995, pp. 294, 314

Reijnders, Jellichje, ‘Stansfield / Hooykaas, The Personal Observatory’,
Stedelijk Museum Bulletin, mei / juni 1995, Amsterdam, p. 66

Schulte-Hofkrüger, Brigitte, ‘Cello und Video im Dialog, Kunstlerische Begegnungen in der Galerie Katrin Rabus’,
Weser Kurier, Bremen, 25–10–1995

Stille Post, ‘Table of Orientation’, Taz, Bremen, 25–10–1995

Video Formes ’95, Turbulences video, no. 7, printemps ’95, Clermont-Ferrand, pp. 119, 143 (French and English)

Viper ’95, Internationale Film- und Videotage, Luzern, 25 – 29 Okt. 1995, p. 40 (German and English)

Worat, Jorg, ‘Die electrische Natur in einen spannenden Medien Kunststruck’, Neue Presse Kultur, Hannover, 27–10–1995

1994

Brandt Corstius, Liesbeth, ‘Een Stemming’ (exh. cat.), Ministerie van Binnenlandse Zaken, Den Haag, 1994, pp. 17, 72, 73

Dik, Iris e.a., ‘Een Natuurlijke Verzameling’ (exh. cat.), Ideas of Nature, no. 1, mei 1994, p. 12

Gingras, Nicole, ‘Les Absences de la Photographie / The Absence of Photography’ Cinéma Libre, Montréal, pp. 3, 7
(photo), 19 (photo), 31 (photo), 61 (photo), 36, 53, 59, 60 (text in French and English)

Haaren, Hein van en Eric Lieber, ‘De muse in een organisatie’, uitgave
Zuid-Hollandse eilanden, Spijkenisse, 1994, pp. 7, 18, 19, 26, 32, 35

Lehmann, Ulrike und Peter Weibel, ‘Asthetik der Absenz’, Bilder zwischen Anwesenheit und Abwesenheit,
Klinkhardt + Biermann, München, 1994, pp. 66, 142, 143, 187

Morgen gemaakt – Kunstenaars en fotografie in het huidige ‘fin de sciecle’ zomer 1993 (exh. cat.),
Arti et Amicitiae, Amsterdam, p. [80]

Neo Natuur - een symbiose tussen kunst en natuur (exh. cat.), Stichting Phoenix, Den Haag, 1995, p. 18

Schwartz, Ineke, ‘Couleur Locale’, Kunst op thema uit de rekken, de Volkskrant, 24–6–1994

TART ’94, Virtual Reality en Cyberspace (exh. cat.), Stichting TART, Universiteit Twente, 1994, p. 6

Videonale 6 (exh. cat.), Kunstverein Bonn, Sept. 1992, p. 153 (German and English)

Winkel, Camiel van, ‘Het Verlies van de onschuld’, in Nederlandse Kunst van 1900,
Stichting Educatieve Omroep Teleac, Utrecht, 1994, Feb. 1995, pp. 196, 214

1993

Aanwinsten / Acquisitions 1985 – 1993, Stedelijk Museum, Amsterdam, 1993, p. 296 (Dutch and English)

Boogerd, Dominic van den, Abri, Zeven ontwerpen voor een Schuilplaats (exh. cat.), Stichting Plint, Eindhoven, 1993, pp. 44–49

Daniels, Dieter, ‘Solstice’, Deutscher Videokunst Preis 1992, Zentrum für Kunst und Medien Technology, Karlsruhe

Gribling, Frank, ‘Kunst om in te schuilen’, De Groene, 21–4 –1993

Hogenkamp, Rieks, ‘Abri in de Bergkerk, de Bergkerk als abri’, Bulletin, uitgave de Bergkerk, Deventer, okt. 1993

Hooykaas / Stansfield, Words on Works, ‘Point of Reference’, Leonardo M.I.T., Cambridge, vol. 26, no. 1, 1993, p. 79

Huisman, Jaap, ‘Rit van 29 km bij hemels gezang’, de Volkskrant, 19–4–1993

Nederend, Gabriëlle, Hooykaas / Stansfield ‘In het oog van de storm’, Nederlandse Kunst Rijksaankopen 1992,
uitgave Rijksdienst Beeldende Kunst, Den Haag / Waanders Uitgevers, Zwolle, p. 83

Rajandream, Marie-Adèle, ‘Videokunst’, Vrij spel, Nederlandse Kunst 1970 – 1990, Stokvis,
Willemijn en Kitty Zijlmans (red.), Meulenhoff, Amsterdam, 1993, pp. 54, 141, 142, 146, 154–156, 158, 161, 259

Reijnders, Tineke, ‘Boekbespreking’, K.M., no. 6, Maastricht, Zomer 1993, pp. 36, 37

Sixt, Dieta, ‘Dialog zwischen den Kunsten / Jutta Bruckner ‘
Biography is a desire’, Prisma, München, 1/’93, pp. 116 (photo), 119 (photo)

Wageman, Patty, Sound and Vision, I.C.A., Amsterdam, April 1993, pp. 4, 11

Wesseling, Janneke, ‘Schotelantenne en hemelse muziek als schuilplaats’, NRC Handelsblad, 23–5–1993

1992

10th World Wide Video Festival (exh. cat.), Het Kijkhuis, Den Haag, 7–12 April 1992, p. 45 (Dutch and English)

Chimaera, 6ème Manifestation Internationale de Vidéo et de Télévision (exh. cat.),
Edition du Centre International De Création Vidéo, Montbéliard, Belfort, pp. 101, 189, 273

Consensus & Contestation, Dialogues (exh. cat.), ‘Madelon Hooykaas / Elsa Stansfield, Vantage Points and Vanishing Points’,
Goethe Institut / Cinerama / Centre Canadien d’Architecture, Mar. 1992, Montréal, p. 12 (French and English)

Deutscher Videokunstpreis ’92 (exh. cat.), Zentrum Fur Kunst und Medien Technologie,
Karlsruhe, May 22 – June 8 1992, p. 45 (German and English)

Dik, Iris, ‘Noises Images and Other Explorations’, Metropolis M, 1992, no. 3, Utrecht, p. 52

European Media Art Festival (exh. cat.), Osnabrück, 2 – 6 Sept. 1992, pp. 51 (German and English), 52 (photo)

Festival International de Vidéos et de Films (exh. cat.), Centre Audiovisuel Simone de Beauvoir, Paris, Dec. 1992, p. 57

Geer, Cees van der, ‘Associaties in het Archief’, Haagse Courant, 24–4–1992

Hardardottir, Sigrun, ‘Listakonurnar Elsa Stansfield og Madelon Hooykaas’, Morgunbladid Fimmtudagur, July 2 1992, p. 20

Krnacova, Ada, ‘Mills and Hills’, Profil, no. 5, Bratislava, April 1992, pp. 11, 12

Langlois, Monique, ‘L’installation audio-visuelle et son spectateur’, Espace. Sculpture, no. 18, hiver 1992, Montréal, pp. 45–47

Schenk, Klaus (ed.), Video im Kunstmuseum Bonn, Verwertungsgesellschaft Bild-Kunst, Bonn, 1992, pp. 68–70

Steevensz, Bert, ‘Madelon Hooykaas / Elsa Stansfield, From the Museum of Memory to
the Personal Observatory’, review, Metropolis M, 1992, no. 3, Utrecht, p. 58

The 7th Australian International Video Festival (exh. cat.), Glebe, 13 – 25 October 1992, pp. 21, 62

Vatsella, Katerina, ‘Madelon Hooykaas / Elsa Stansfield from the Museum of Memory to
the Personal Observatory’, Arte Factum no. 42, Feb/Mar 1992, Antwerp, p. 37 (German)

Vatsella, Katerina, ‘Madelon Hooykaas / Elsa Stansfield, Galerie Katrin Rabus, Bremen, Artis,
Zeitschrift für Neue Kunst’, Marz 1992, Bern, pp. 53–54

Veelen, Ysbrand van, ‘Hooykaas / Stansfield’, Hills and Mills (exh. cat.),
Arti et Amicitiae, Amsterdam, April 1992, pp. 38–43 (English), 110 (Dutch), 122 (Slovak)

Videonale 5 (exh. cat.), Kunstverein Bonn, Sept. 1992, pp. 148, 257 (German and English)

1991

Bus, ‘Wind Zeit Information’, Videosculpturen in Der Galerie Katrin Rabus, Taz, Bremen, 23–11–91

Côté, Mario, ‘Méthode pour le regard’, 24 Images, no. 56–57, Montréal, automne 1991, p. 71

European Media Art Festival (exh. cat.), Osnabrück, September 4 – 8 1991, pp. 190–191 (German and English)

Fischer, Frauke, ‘Videosculpturen – senden, empfangen’, Prinz, no. 12, Bremen, December 1991, p. 84

Heldt, Ina, ‘Mensch und Kosmos’, Bremer no. 12, Bremen, 1991, p. 88

Hooykaas, Madelon, ‘From video installation to video sculpture? Some notes about video installation art on the
European continent during the eighties’, in Video Positive ’91 (exh. cat.), Liverpool, April 20 – May 6 1991, pp. 13–15

‘Hooykaas / Stansfield. Five Recent Pieces’ (info bulletin), Het Kijkhuis, Den Haag, March 6 – April 7 1991 (Dutch and English)

‘Imago, Fin de Siècle in Dutch Contemporary Art’, Budapest, pp. 19, 22 (Hungarian)

‘Imago, Fin de Siècle in Dutch Contemporary Art’, Profil 7, Bratislava, pp. 2 (photo), 18 (photo)

Rabus, Katrin, Madelon Hooykaas / Elsa Stansfield – From the Museum of Memory to a Personal Observatory (exh, cat.),
Galerie Katrin Rabus, Bremen, 1991, pp. 3–4 (German), 6–7 (English)

Rodrigo, Evert, ‘Liquid Crystal’, Imitation and Inspiration – Japanese influence on Dutch Art (exh. cat.),
Japanese edition Suntory Museum of Art, Tokyo, 1991, pp. 59 (photo), 90 (Japanese)

Rodrigo, Evert, Quattro Mostre Video per Quattro Paesi (exh. cat.), Perugia/Roma, February 1991, p. 7

Rodrigo, Evert, ‘Two video installations’, in Imitatie en Inspiratie – Japanse invloed op
Nederlandse Kunst van 1650 tot heden (exh. cat.),
Rijksmuseum, Amsterdam / Suntory Museum of Art, Tokyo, 1991, pp. 142, 143 (photo), 151

Rodrigo, Evert, ‘Two video installations’, in Imitation and Inspiration – Japanese influence on
Dutch art from 1650 to the present (exh. cat.),
Rijksmuseum, Amsterdam / Suntory Museum of Art, Tokyo, 1991, pp. 142, 143 (photo), 151

Ross, Christine, ‘Madelon Hooykaas et Elsa Stansfield: Vers le je affectif / Madelon Hooykaas and Elsa Stansfield:
Towards an Affective I’, in Le Mois de la Photo à Montréal (exh. cat.), September 1991, pp. 108–113 (French and English)

Scholte, Tatja, ‘de Intimiteit van een persoonlijk observatorium’, K.M., no. 0, Maastricht, autumn 1991, pp. 22, 26 (photo)

Unnützer, Petra, ‘Video Positive ’91’, Cologne Media Arts

Video-Forum Berlin (cat.), Neuer Berliner Kunstverein e.V., Berlin, 1991, pp. 80 (German), 81 (English)

Video Positive ’91 (exh. cat.), Liverpool, April 20 – May 6 1991, pp. 19–20

Wolf, Detlef, ‘das Museum der Erinnerung’, Weser Kurier, Bremen, 23–11–91

Yates, Simon, ‘Cathode tubes and arty rays’, Gazette, 15–3–1991

1990

4. Videonale (exh. cat.), Kunstverein Bonn, September 18 – 23 1990, p. 62 (German and English)

9th World Wide Video Festival, Het Kijkhuis, Den Haag, September 1990, p. 37 (Dutch and English)

19ème Festival International du Nouveau Cinéma et de la Vidéo (exh. cat.),
Montréal, October 18 – 28 1990, p. 84 (French and English)

Art meets Science and Spirituality in a Changing Economy, workshop-meetings,
Museum Fodor, Amsterdam, 17 – 22 september 1990, pp. [38–59] (English and German)

Collection d’Art Salon 1990, Arti et Amicitiae, Amsterdam, p. 53

European Media Art Festival (exh. cat.), Osnabrück, September 12 – 16 1990, pp. 35–36 (German and English)

Individuele Subsidies Stichting Fonds voor Beeldende Kunst, Vormgeving en Bouwkunst
(cat.), 1 januari 1989 – 1 januari 1990, pp. 184, 300

Lakke, Gerard, ‘Het geheugen, museum vol beelden en symbolen’, Universiteitskrant Rijksuniversiteit, Groningen, 11 januari 1990

Malsch, Friedemann, ‘Hooykaas & Stansfield – Kunstlerfrauenpaare’,
Kunstforum International, bd. 107, April / May 1990, pp. 190–192

Rijksaankopen Nederlandse Kunst 1990 (cat.), Rijksdienst Beeldende Kunst ,
The Hague / Waanders Uitgevers, Zwolle, 1990, p. 174

Seydel, Jorinde, ‘Radiant, a Personal Observatory. Remembrance in Morse’, Imago,
Fin de Siècle in Dutch Contemporary Art (exh. cat.),
(Mediamatic Magazine / The Netherlands Office for Fine Arts), vol. 5, pt. 1 & 2, summer 1990, pp. 46–47

Time Space Light (exh. cat.), Academie Minerva Groningen, March 18 – 25 1990, pp. 28–29

Viper ’90, 11th Internationale Film- und Videotage, Luzern, 23 – 27 Okt. 1990, p. 47 (German and English)

1989

‘Clare Henry takes her pick of the visual arts from a more complex than usual mix swamping the official
Spanish theme’, Glasgow Herald, 10–8–1989

‘Contemporary Art from The Netherlands’, The Scotsman, 12–8–1989

Daniels, Dieter, ‘Hooykaas / Stansfield. From the Museum of Memory VII’,
Kunstforum International, bd. 98, January / February 1989, pp. 164–165

Demarco, Richard, ‘St. Colme’s Inch’, Holland at The Festival (exh. cat.), Edinburgh, August 5 – September 6 1989, pp. [5–7]

Herzogenrath, Wulf und Edith Decker (Hrsg.), Video-Skulptur. Retrospektiv und Aktuell 1963 – 1989,
DuMont Buchverlag, Köln, 1989, pp. 90–91, 140–142

Individuele Subsidies Stichting Fonds voor Beeldende Kunst, Vormgeving en Bouwkunst, March 1988 – March 1989, p. 114

Joutstra, Wio, ‘Krullen in Schotland’, de Volkskrant, 25–8–1989

Kahlen, Wolf, ‘Mean Time Between Failures’, Ruine der Künste (über Zeit) Lichtjahr 19Hundertdoppeltunendlich,
Edition Ruine der Künste, Berlin, 1989, pp. 145–148, pp. 128–132 (photos)

MacDonald, Murdo, ‘Enigmas on Inchholm’, The Scotsman, 25–8–1989

Malsch, Friedemann, ‘Das Dilemma der Grossfamilie’, 3. Videonale, Kunstverein Bonn,
Kunstforum International, bd. 98, January / February 1989, pp. 152–160,

Malsch, Friedemann, Video Folkwang Hooykaas / Stansfield Tapes 1979 – 1987 (exh. cat.), Museum Folkwang, Essen, 1989

Muller, Robert-Jan, ‘A View from the Hill’, Holland at the Festival (exh. cat.), Edinburgh, August 4 – September 6 1989, pp. [9, 11]

‘Nederlandse kunst in Edinburgh’, Het Parool, 20–7–1989

Reijnders, Tineke, ‘The Observatory as Vantage Point / Das Observatorium als Gesichtspunkt’, in Hooykaas/Stansfield –
Personal Observatory (exh. cat.), Contemporary Art Foundation, Amsterdam, 1989, pp. [22-23] (English), [24-25] (German)

Unnützer, Petra, ‘Video Musik’, Videonale Kunstverein Bonn (exh. cat.), October 6 – 8 1989, pp. 30–35, 38

‘Videokunst hält Erinnerung wach’, WAZ, Essen, 18–11–1989

Wardenaar, Madeleine, ‘Madelon Hooykaas / Elsa Stansfield’, Imitation and Inspiration – Japanese Influence on Dutch Art,
Art Unlimited Books, Amsterdam, 1989, pp. 166–167

1988

3. Videonale (exh. cat.), Kunstverein Bonn, September 11 – 16 1988, p. 99 (German and English)

Amsterdam koopt kunst / buys art (cat.), Fodor maandblad voor beeldende kunst in Amsterdam,
1988, pp. 48–49 (Dutch and English)

Berkum, Ans van, ‘De barok is waar, het beeld is ding’, Nederland 4 de Nederlandse Kunstvideo (exh. cat.),
Culturele Raad Zuid-Holland, Het Prinsenhof, Delft, November 12 – 21 1988, pp. 113–121, 123, 132– 133 (photos), [61–63]

Coelewij, Leontine, ‘Rijksaankopen 1988, werk van hedendaagse beeldende kunstenaars’,
Rijksdienst Beeldende Kunst / SDU Uitgeverij, ’s-Gravenhage, 1988, p. 207

Grande, John K., ‘Rétrospective Hooykaas / Stansfield’, Vie des Arts, winter 1988

Lakke, Gerard, ‘De Umbris Idearum. Stansfield Hooykaas’ Museum of Memory’, Mediamatic – European
Media Art Magazine, vol. 2 nr. 3, March 1988, pp. 122–133 (Dutch and English)

Nieland, Jan, ‘De echo van een woordloos kyrie. Video installatie van Stansfield / Hooykaas in
Koepelzaal Gemeentemuseum’, De Gelderlander, 16–9–1988

Oele, Anneke, Stansfield / Hooykaas... from the Museum of Memory VII (info sheet),
Koepelzaal Gemeentemuseum Arnhem, September 10 – November 13 1988

Perrée, Rob, Into Video Art. The Characteristics of A Medium, Con Rumore, Rotterdam / Amsterdam,
1988, pp. 9, 28–29 (all text in Dutch and English)

Perrée, Rob, ‘Reality Dressed in Video’, Dutch Tapes, Recent Video Art from The Netherlands (exh. cat.),
Exhibition organised by Southwest Alternate Media Project Houston, 1988, pp. 7–11

‘Rétrospective Hooykaas et Stansfield’, 4ème Festival International de Films et Vidéos de Femmes de Montréal
(exh. cat.), May 27 – June 3 1988, pp. 69–73 (French and English)

So und So und So III. Geluid Kunst Nederland (exh. cat.), Time Based Arts /
Shaffy Theater, Amsterdam, May 1988, pp. 48–50 (Dutch and English)

Stansfield, Elsa, ‘Magnetism created the first order in chaos’, Het Magnetische Beeld (exh. cat.),
Jan van Eyck Akademie, Maastricht /
Stadsgalerij, Heerlen, October 9 – November 20 1988, pp. 6–7 (Dutch and English)

Steenbergen, Renée, ‘Kunst op de kabel’, NRC Handelsblad, 15–9–1988

Thiele, Carmela, ‘Das Flüchtige Medium Video in Kunstmuseum’, Bonnes Rundschau, 17–2–1988

Wijers, Louwrien , ‘Het geheugen als museum’, Het Financieele Dagblad, 24–9–1988

1987

Amsterdam koopt kunst / buys art (cat.), Fodor maandblad voor beeldende kunst in Amsterdam, 1987, p. 21 (Dutch and English)

Contour. Een momentopname van de Nederlandse Beeldende Kunst (exh. cat.),
Het Prinsenhof, Delft, 13 december 1986 – 15 februari 1987, pp. 41–44

DOCUMENTA 8 vol. II (exh. cat.), Kassel, July – September 1987, p. 318

Festival International de Films et Vidéos de Femmes (exh. cat.), Montréal, June 4 – 14 1987, p. 41 (French and English)

Kusters, Sjef, ‘Videowerk van Elsa Stansfield op Documenta 8’, De Limburger,
27–3–1987

Lakke, Gerard, ‘Kunst over de vloer’, Bijvoorbeeld, 19e jrg. nr. 3, augustus – oktober 1987, pp. 38–39

Malsch, Friedemann, ‘Wolfgang Preikschat – Interview’, Mediametics – European Media-Art Magazine,
vol. 2 nr. 1, 1987, p. 24 (Dutch and English)

Perrée, Rob, Kunst over de Vloer. Foto. Video. Installaties Entrepôtdok Amsterdam (exh. cat.),
August 15 – September 27 1987, pp. 54 (Dutch), 189 (English), 150–151 (photos)

Rajandream, Marie-Adèle, ‘Point of Orientation’, World Wide Video Festival 1987 (exh. cat.),
Het Kijkhuis, Den Haag, September 5 – 12 1987, p. [45] (Dutch and English)

Schneemann, Walter, ‘Verlangen en Televisie-Autisme / Desire and Television Autism’, Mediametics –
European Media-Art Magazine, vol. 2 nr. 2, 1987, p. 72, 74 (Dutch), 73, 75 (English)

Velthoven, Willem, ‘Art for TV’, Mediametics – European Media-Art Magazine, vol. 2 nr. 1, 1987, p. 48 (Dutch and English)

Wijers, Louwrien, ‘Toetsing van ons begrip van de werkelijkheid’, Het Financieele Dagblad, 11–04–1987

1986

Elsa Stansfield und Madelon Hooykaas, ‘...from the Museum of Memory’, Video in Kunst und Alltag,
Veruschka und Gábor Bódy (Hrsg.), DuMont Buchverlag, Köln, 1986, pp. 98–99, 124, 127

Fifteen Contemporary Artists from The Netherlands (exh. cat.), Joh. Enschede en Zonen Uitgeverij,
Haarlem, IMF Art Society, Washington, October 1986, pp. 32–35

Hooykaas / Stansfield, ‘Shadow Pictures… From the Museum of Memory’ (artist page), Mediamatic –
Dutch Magazine on Media Art and Hardware Design, vol. 1 no. 1, 1986, pp. 18–19

Mignot, Dorine, ‘Hooykaas-Stansfield – Shadow Pictures... From the Museum of Memory II’, in Install-Video-Side (exh. cat.),
Galleria d’Arte Moderna, Bologna, April 1986, pp. 35–36 (Italian), 61–63 (photos), 114 (English)

Mignot, Dorine, ‘Stansfield / Hooykaas. Point of Orientation’, Point of Orientation – From the Museum of Memory (info sheet),
Stedelijk Museum, Amsterdam, September 10 – October 5 1986

Recent British Video (exh. cat.), Auckland City Art Gallery, July 1986, p. [21]

Rijksaankopen 1985. Werk van hedendaagse beeldende kunstenaars (cat.),
Rijksdienst Beeldende Kunst, ’s-Gravenhage, 1986, p. 150 (English)

Santen, Ingrid van, ‘Herinneringen aan Hiroshima. Fascinerend spel met videokunst in Kijkhuis’, Het Binnenhof, 18–6–1986

1985

14ème Festival International du Nouveau Cinéma et de la Vidéo (exh. cat.),
Montréal, October 17 – 27 1985, p. 50 (French and English)

Amsterdam Koopt kunst, Gemeentelijke Kunstaankopen / Amsterdam Buys Art, Municipal Art Acquisitions (cat.),
Fodor tweemaandelijks tijdschrift voor beeldende kunst in Amsterdam, 1985, p. 55 (Dutch and English)

Bernhardt, Ulrich and Janneke Wesseling, From the Museum of Memory (exh. cat.),
Künstlerhaus, Stuttgart, May 4 – June 8 1985, pp. [2–3] (German), [6] (English), [15–16] (German), [17–18] (English)

Fukui International Video Festival ’85 (exh. cat.), Fukui Audio Visual Center,
November 2 – 17 1985, pp. 76–77 (Japanese and English)

In View Of (exh. cat.), Long Beach Museum of Art, Long Beach, April 14 – May 19 1985

Lischka, G.J. (Hrsg.), Alles und noch viel mehr. Die Katalog Anthologie der 80er Jahre,
Benteli Verlag, Bern, 1985, pp. 939, 992 (English)

Mignot, Dorine, ‘Hooykaas / Stansfield’, Wat Amsterdam Betreft… / As far as Amsterdam goes… (exh. cat.),
Stedelijk Museum, Amsterdam, November 22 – January 5 1985, pp. 38 (photo), 39 (Dutch and English)

Mignot, Dorine, ‘The Luminous Image’, Kunstforum International, bd. 77/78 9–10,
January / February 1985, pp. 59–83. Hooykaas / Stansfield, ‘Compass’, p. 80

Mignot, Dorine, ‘Video art in Rembrandt’s country’, EU-Video ’85. Tendenze Europe A Confronto (exh. cat.),
Bologna, February 16 – 19 1985, pp. 46–49 (English and Italian)

Perrée, Rob, ‘Introduction to an Introduction’, Image on the Run. Dutch Video Art of the 80’s,
International Department of The Netherlands Office for Fine Arts, The Hague / Amsterdam, 1985, pp. 7–9, 46–47

Put, Hans v.d., ‘Soms heb ik genoeg van dat kastje. Een kijkje in het a’damse videocircuit’,
Agenda voor Uitgaand Amsterdam, oktober 1985, pp. 35–39

Rijksaankopen 1984. Werk van hedendaagse beeldende kunstenaars (cat.),
Rijksdienst Beeldende Kunst, ’s-Gravenhage / Amsterdam, 1985, p. 137

Schalz-Laurenze, Ute, ‘Direkte und provozierende Ansprache. Ein Performance-Festival von Frauen in Bremen’,
Frankfurter Allgemeine Zeitung, 26–4–1985

Schattengrenze (exh. cat.), Galerie Katrin Rabus, Bremen, January 13 –23 1985, pp. 24 (photo), 25, 26–27 (photos)

Talking Back to the Media, set of artists’ postcards, stichting De Appel uitgave 3, Amsterdam, 1985

Wesseling, Janneke, From the Museum of Memory (exh. cat.), Künstlerhaus, Stuttgart,
May 4 – June 8 1985, pp. [15–16] (German), [17–18] (English)

Wesseling, Janneke, ‘Vi Deo Volente van Madelon Hooykaas en Elsa Stansfield’,
De Appel (bulletin), no. 2, 1985, pp. 4–8 (English and Dutch)

World Wide Video Festival (exh. cat.), Het Kijkhuis, Den Haag, 1985, pp. 108–109

1984

1. Videonale (exh. cat.), Bonn, September 21 – 28 1984, p. 44

2ème Manifestation Internationale de Vidéo (exh. cat.), Montbéliard, March 13 – 18 1984, pp. 86–87

13ème Festival International du Nouveau Cinéma et Vidéo (exh. cat.), Montréal, October 18 – 28 1984, p. 80 (French and English)

1984 im toten winkel (exh. cat.), Kunstverein und Kunsthaus Hamburg, April 20 – June 3 1984, pp. 30, 35

Amsterdam koopt kunst / buys art, Gemeentelijke Kunstaankopen / Municipal Art Acquisitions (cat.),
Fodor tijdschrift voor beeldende kunst in Amsterdam, 1984, p. 53 (Dutch and English)

Hooykaas / Stansfield ‘Compass’, Het Lumineuze Beeld / The Luminous Image (exh. cat.), Stedelijk Museum, Amsterdam,
September 14 – October 28 1984, pp. 160 (drawing), 161–162 (Dutch and English), 163 (photo), 189 (English), appendix II (photo)

Krikorian, Tamara, ‘Video installations in Britain’, London Video Arts: 1984 catalogue, 1984, pp. 21–23, 34–35

Miedema, Anneke, ‘Subtiel en freakerig videogebruik in Artotheek Groningen’, Nieuwsblad van het Noorden, 19–1–1984

Mignot, Dorine, ‘L’Art de la vidéo au pays de Rembrandt’, Daat, Juin 1984

Müller-Tamm, Pia, ‘Aspekte der künstlerischer Aneigung. Einführung in die Sammlung Oppenheim’, Dauerleihgabe
Ingrid Oppenheim (Video-Katalog), Städtisches Kunstmuseum, Bonn, 1984, pp. 10, 32–33

National Video Festival (exh. cat.), The American Film Institute, Los Angeles, September 20 – 23 1984, p. 68

Perrée, Rob, ‘Een ruimtelijke kunst. De complexe ruimtewerking van videokunst’, Skrien, winter 1984 – 1985

Perrée, Rob, ‘Videokunst in Nederland na 1975’, Kunstschrift Openbaar Kunstbezit, 28e jrg. no. 4, juli / augustus 1984, p. 142

Rice, Shelley, ‘The Luminous Image. Video Installations at the Stedelijk’, After Image, December 1984

Terreehorst, Pauline, ‘Stedelijk Museum brengt video als beeldende kunst’, de Volkskrant, september 1984

Wesseling, Janneke, The Force behind its Movement (info sheet), Felison-affiche vol. 7, 83– 84, Velsen

World Wide Video Festival (exh. cat.), Kijkhuis, Den Haag, September 4 – 9 1984, p. 58 (Dutch and English)

1983

2 = 1. Over de Som der Delen (exh. cat.), Nederlandse Kunststichting, 1983, pp. [15–16]

12ème Festival International du Nouveau Cinéma et Vidéo (exh. cat.),
Montréal, November 4 – 13 1983, p. [92] (French and English)

Amsterdam koopt kunst / buys art (cat.), Fodor maandblad voor beeldende kunst in Amsterdam,
2e jrg. nr. 9, April 1983, p. 76 (Dutch and English)

Dercon, Chris, ‘Wind op video. Provinciaal museum toont vernieuwend mediagebruik’, De Standaard, 6–4–1983

Droffelaar, Josine van, Madelon Hooykaas Elsa Stansfield – Audio Video Installations (exh. cat.),
Provinciaal Museum, Hasselt, March – April 1983, pp. 7–9 (English and Dutch)

Film + Video (exh. cat.), National Pinokothiki Athens, September 11 – October 31 1983, p. 19 (Greek)

Haan, Ingrid, Video installaties en videotapes uit Nederland (exh. cat.), De Vleeshal, Middelburg, 1983, p. 6

Kok, Ellen, ‘Videokunst: de onbegrepen verslaving’, Trouw, 8–9–1983

Ook een kunst... Installaties en performances geregistreerd (exh. cat.), Nederlandse Kunststichting, 1983, pp. 2–3

Recent British Video (cat.), London Video Arts, 1983, p. [21]

Reijnders, Tineke, ‘Leven is Beweging is Tijd’, Videokunst (exh. cat.),
Moriaan, ’s-Hertogenbosch / Stadsschouwburg, Tilburg, November 2 – 27 1983

Reykjavik – Amsterdam, ter Weerszijden van de Meridiaan (exh. cat.),
Museum Fodor, Amsterdam, October 15 – November 13 1983 /
The Living Art Museum, Reykjavik, October 10 – 30 1983, p. 23

1982

Droffelaar, Josine van, ‘Kunst in vier dimensies’, Videodagen Amsterdam 28 en 29 oktober (exh. cat.),
Fodor – Maandblad voor Beeldende Kunst in Amsterdam, 2e jrg. nr. 3, oktober 1982, pp. 9, 14–15

Dutch Directions (exh. cat.), Künstlerhaus Bethanien, Berlin, 1982, pp. [13–14]

‘Flying Time’ (artist page), Fodor Maandblad voor beeldende kunst in Amsterdam, 2e jrg. nr. 4, November 1982, pp. 4–5

Hooykaas, Madelon, ‘De Nederlandse Vereniging van Videokunstenaars’, Videodagen Amsterdam 28 en 29 oktober (exh. cat.),
Fodor Maandblad voor Beeldende Kunst in Amsterdam, 2e jrg. nr. 3, oktober 1982, p. 21

International Media Meeting (exh. cat.), Agora Foundation, Maastricht, 1982, pp. 25–28 (English)

Vision in Disbelief. 4th Biennale of Sydney (exh. cat.), Sydney, April 7 – May 23 1982, p. 148

Wind Direction, De Appel (bulletin), no. 3, 1982, pp. 38–39

1981

Die Weddinger - Projekt nr. 1: Art: während der Kunsttage (exh. cat.), Berlin, June 1981, p. [74]

Gibbs, Michael, ‘Mixed Feelings. Mixage International’, Artzien, 3e jrg. nr. 1, januari 1981, pp. 11–14

Ginneken, Lily van, ‘Video beleid’, de Volkskrant, 27–11–1981

Hooykaas, Madelon, ‘Video-maart media manifestatie in Maastricht’, Artzien, 3e jrg. nr. 2, juni 1981, pp. 3–5

Hooykaas / Stansfield, ‘A Piece for the Four Winds’, De Appel (bulletin), nr. 2, September 1981, pp. 22–24 (English)

Mignot, Dorine, Two Sides of a Story (info bulletin), Stedelijk Museum, Amsterdam, October – December 1981, pp. 85–86

Stansfield, Elsa, Video Maart. Video Studio (exh. cat.), Jan van Eyck Academie,
Maastricht, March 1981, pp. 3 (Dutch), 4 (English)

1980

Amsterdam koopt kunst – Gemeentekunstaankopen 1979 (cat.), Museum Fodor, Amsterdam, pp. 26-27

Artists Video (exh. cat.), Biddick Farm Arts Centre, Washington, 1980, p. [20]

Mixage International (exh. cat.), Lantaarn/Venster, Rotterdam /
De Beyerd, Breda / ’t Hoogt, Utrecht, November 26 – 30 1981, p. 28

1979

55 Wapping Artists (exh. cat.), Space Open Studio, London, July 7 – 9 1979, p. [39]

Arte Actual Holandesa (exh. cat.), Gamm(a), Utrecht, 1979, pp. [29–30]

Artists Video (exh. cat.), Biddick Farm Arts Centre, Washington, 1979, p. [24]

Aspecten Hedendaagse Fotografie (exh. cat.), Stedelijk Museum, Schiedam, 1979, pp. [20–21]

Gibbs, Michael, ‘5 Video Environments’, Artzien, Vol. 1, No. 7 May 1979, p. [11]

Gibbs, Michael, ‘5 Video Environments’, Film & Video, September 1979, p. 3

Hooykaas, Madelon, Elsa Stansfield, 5 Video Environments, Agora, Utrecht, 1979, pp. 3–4

Madelon Hooykaas / Elsa Stansfield, ‘Sea of Light’, Chrysallis, no. 4, 1979, pp. 109–120

Stansfield, Elsa and Madelon Hooykaas, ‘Running Time’, in Film & Video, September 1979, p. 3

Video ’79. Video – The first decade / Dieci anni di videotape (exh. cat.), Rome, 1979, pp. 116, 118 (English and Italian)

1978

Daems, J.P., ‘Video-environments van Stansfield en Hooykaas / Video-environments by Stansfield and Hooykaas’,
in Else Madelon Hooykaas Elsa Stansfield – ‘Labyrinth’ video-environment (exh. cat.), ICC, Antwerp, 1978, pp. 1, 3

Fandangos 8.9.10.11. Superb issue, Maastricht, spring 1978, p. [65] (English)

Het Verschijnsel Performances in Amsterdam (exh. cat.), Museum Fodor Amsterdam, 1978, pp. [22–24]

London Video Arts (cat.), 1978, pp. 36, 66

‘Madelon Hooykaas Elsa Stansfield “Labyrint van lijnen”’, ICC Bulletin, November – December 1978, p. [2]

Stansfield, Elsa, ‘Fragmented Views of a Labyrinth’, Aspects – A Journal of Contemporary Art, nr. 5, winter 1978 – 1979, p. [10]

1977

Artists Video. An Alternative Use of the Medium (exh. cat.), Biddick Farm Arts Centre, Washington, October 7 – 29 1977

Ginneken, Lily van, ‘Witte vogels’, de Volkskrant, 9–9–1977

Haks, Frans, ‘Memory Window’, Vrij Nederland, September 1977

‘Memory Window’, Stichting De Appel (info sheet), September 1977

Portret van een straat, Film- en TV-maker, september 1977, p. 43

Portret van een straat (info bulletin), Centrale Filmotheek Rijksvoorlichtingsdienst, Den Haag, 1977

Wade, Graham, ‘Just like that’, Pulse. Video-Audio Visual Review, September 1977, p. 22

1976

Festival of Festivals - The First Annual Toronto World Film Festival (cat.), October 18–24 1976, p. 74

Festival of Women’s Films (exh. cat.), New York, September 13 – 26 1976, p. 36

Krikorian, Tamara, ‘Video Event in Glasgow’, Studio International, May – June 1976, p. 27

Stansfield / Hooykaas, ‘Journeys’, Whitechapel Art Gallery Information Bulletin, April – May 1976

Video Towards Defining an Aesthetic (exh. cat.), Scottish Arts Council, Edinburgh, 1976, p. [22]

1975

NBF-bulletin – tijdschrift voor filmers en tv-makers, nr. 143, januari 1975, p. 15

‘Overbruggen’, Film International Rotterdam (festivalkrant), 1975, pp. 17, 19

‘Overbruggen’, NBF-bulletin – tijdschrift voor filmers en tv-makers, nr. 146, april 1975, p. cover, 43

‘Overbruggen op Film Internationaal’, TFF – Toegepaste Film en Fotografie, april 1975, p. 7

‘Overbruggen / Sur le pont’, 4ème Festival International du film de court métrage et du film documentaire,
Grenoble, 24 – 29 juin 1975, p. 53

Stansfield, Elsa, ‘From Dream to “memory” – Research to find images’, Film + Video Extra, nr. 5, winter 1975, pp. 14–15

1974

‘Bert Schierbeek – Pas op vriend, want je bent verloren als je de mantel van de profeet hoort zwaaien’,
De Nieuwe Linie, 10–4–1974

NBF-bulletin, nr. 134, januari – februari 1974, p. 33

1973

Bank, Jan, ‘Maniertjes in televisieportret’, de Volkskrant, 27–9–1973

‘Een van die dagen’, Studio, 22– 9–1973

‘Een van die dagen’, Tros Kompas, 22–9–1973

‘Een van die dagen’, VPRO – Vrije geluiden, 22–9–1973

‘Kunstenares in beeld’, Vara Gids, 22–9–1973

‘Meester’, De Gelderlander, 27–9–1973

‘One of These Days’, 17th London Film Festival (exh. cat.), BFI, London, 1973

Ris, Ernst, ‘Omroep in de pers’, Het Vrije Volk, 27–9–1973

Wingen, Ed, ‘Marte Röling: mondige vrouw’, De Telegraaf, 26–9–1973